Written by Gray Sergeant. A Green Party Taiwan (GPT) poll early this month showed President Tsai commanding a substantial lead over her KMT rival, Kaohsiung Mayor Han Kuo-yu, in a head-to-head race. Although the eighteen point advantage to Tsai and the DPP is strikingly large, it does fit in with general polling trends over the past few months showing Mayor Han’s slumping popularity. This same survey also asked respondents how they would vote in the island-wide party ballot for the country’s Legislative Yuan. Here the DPP lead crumbled with only 25% voting for the governing party, while 35% for the KMT.
Written by Hegerová Terézia. Fire EX. started their career in 2000 as an indie punk rock band from Kaohsiung. The four members are singer Sam, bassist Pipi, drummer Wu Ti and guitarist Oreo. The group at first performed only covers, but later started to produce their own songs. They say that their style was influenced by many other singers and bands, especially those from the US like Blink 182 and Green Day.
Written by Catherine Ju-yu Cheng. The critically acclaimed 2014 Taiwanese film Kano, which was produced by Wei Te-Sheng and Jimmy Huang, and directed by Umin Boya, was based on the true story of the meteoric rise of a Japanese colonial-era (1895-1945) Taiwanese baseball team.
Written by Yao-hung Huang. The Taiwanese director Wei De-Sheng burst onto the international scene over a decade ago with his critically acclaimed musical drama Cape No. 7. The movie was an unexpected box office success, and saw Wei held up as a beacon of hope for Taiwan’s beleaguered film industry. Nonetheless, Cape 7 came under fire in some quarters for painting the legacy of Japanese colonial rule in a positive light.
Written by YU Nai-Hui. My PhD studies involved anthropological fieldwork in Japan focused on the social issues of Wansei 湾生, a Japanese term referring to Japanese born in Taiwan before 1945. The term Wansei became an overnight sensation in Taiwan following the release of the documentary film Wansei: Back Home (2015).
Written by Francesca Congiu. The political emancipation of labour unions was followed by a progressive erosion of worker rights and has resulted in Taiwan racing to the bottom of global labour standards. Organised labour in Taiwan is characterised by its continuing low rate of unionisation, which has caused a profound void of worker representation since the beginning of democratisation.