Written by Po-hsi Chen. Guo’s concern resembled the philosophical rendition of the post-war Czechoslovakian ‘socialism with a human face’, which emphasised individual freedom and personal choice under the Soviet regime. Indeed, Guo passingly referred to ‘Second World’ Eastern European communist theorists’ re-reading of Sartre in the post-Stalin context.
Written by Tim Shao-Hung Teng. In 2015 Taiwanese filmmaker Huang Ya-li (黃亞歷) released his documentary Le Moulin (Riyaori shi sanbuzhe/ 日曜式散步者) to critical acclaim. The film recounts the major life events of four core members of Taiwan’s prewar surrealist poetry society, Le Moulin (fengche shishe/風車詩社). Known for its experimental style that does away with interviews and voice-over narrations, the nearly-three-hour film cites, extracts, pastes, and freely associates materials such as literature, paintings, photography, sounds, film footage, diary entries, and newspaper clippings. These sources are not always readily recognisable and nor are they all directly related to the poets’ works.
Written by Chee-Hann Wu. Homecoming 微塵望鄉 is a 2017 production by Puppet & Its Double Theater 無獨有偶工作室劇團 featuring Lily 馬莉莉, daughter of veteran father and immigrant mother, and Paochi (寶枝), Vietnamese caregiver who takes care of Lily’s dementia inflicted farther.
Written by Grace Cheng-Ying Lin. In Taiwan, abortion rituals (嬰靈超渡, 嬰靈供養) have been gaining popularity since the 1980s. The ritual attempts to appease or rescue Yingling (fetus spirits嬰靈), the spirits of fetuses that have died from abortions or miscarriages. Within most contemporary religious discourse, abortion is seen as an inappropriate means of ending a life.
Written by Perl Li. In light of the recent pressure China is exerting on Taiwan through tourism, I hope the Tourism Bureau will properly utilise its resources to improve its campaigns both to support the tourism economy as well as Taiwan’s international reputation.
Writen by Giulia Mengato. My research on Indigenous communities in Taiwan shows that the needs and wishes of Indigenous peoples are still considered secondary to those of government. I argue for a more nuanced approach wherein public institutions work alongside local people. Government restrictions should not suffocate community will and should not limit the agency of local people.
Written by Brian Hoie. Although the majority of media attention yesterday focused on demonstrations by over one thousand marriage equality advocates outside the Legislative Yuan, another demonstration involving over one thousand took place outside the Executive Yuan at the same time. This demonstration involved over one thousand members of the Taiwan Association for the Rights of Non-Aboriginal Residents in Mountain Indigenous Townshipsprotesting against the Council of Indigenous Peoples’ efforts to protect indigenous traditional territories.
Written by Maja Korbecka. There are yet more talented Southeast Asian Chinese diaspora filmmakers working in contemporary Taiwan cinema and bringing forth their own complex heritage, stories and new ideas to work with film art. They represent hope for revival and new directions in Taiwan cinema. Through their work they contribute to projecting the image of Taiwan as a multiethnic and multicultural state, the full potential of which is yet to be discovered.
Written by Zuzana Shejbalová. Teresa Teng, in Mandarin Deng Lijun 鄧麗君, was a Taiwanese singer and one of the ‘Five Great Asian Divas’ of the 1970s and 1980s, alongside Judy Ongg, Agnes Chan, Ou-Yang FeiFei and Yu Yar. She was born on 29 January 1953 and unfortunately died at only 42 on 8 May 1995, suffering an asthma attack while on vacation in Thailand. She remains one of the most successful singers of the Mandarin-speaking world.
Written by Kuan-Wen Lin.
The Daxidaxi (大溪大禧) project aims to reshape an hundred year old local festival and revistalise a small town suffering from an exodus of rural population. Leading curator Tammy Liu (劉真蓉) and her team BIAS Architects & Associates describe the village rites as mixed textures of contemporary design and religious folklore giving the town of Daxi a new definition of a traditional festival.
Written by Chun-Ying Wei. The latest addition to Taiwan’s cultural intermediaries, the Taiwan Creative Content Agency （TCCA, 文化內容策進院）, marks another milestone in Taiwan’s cultural diplomacy. The incumbent Minister of Culture, Cheng Li-chun 鄭麗君, has proposed the idea of creating a ‘national team’ to promote Taiwan’s cultural and creative industries.
Written by J. Michael Cole. With Taiwan’s election campaign shifting into high gear, an escalating campaign of intimidation by one camp and a media consortium that backs its candidate threatens to seriously undermine the ability of journalists and political commentators, both local and foreign, to do their work. By doing so, that camp is hoping to impose its discourse on the process and to limit, if not silence outright, any criticism of its candidate and the proxies that are aligned with it.