Written by Shao-yi Chan. In this respect, the personal, private struggle seems to give way to a social, public conflict that resituates the family as the overarching element in Taiwan’s queer politics.
Written by Amy Brainer. Family life in Taiwan changes rapidly—as, for example, families grow smaller, the cost of living rises, and new ideas about child development are popularized—so too do the tools available to families to make sense of gender and sexual diversity.
Thus, although Buddhism in Taiwan does not confer complete equality on women, their position is greatly improved over that of the past. Moreover, it has provided opportunities for women to greatly enlarge their social lives through volunteering and participation in Buddhist groups as well as opportunities to develop and utilize their social, organizational, administrative and leadership abilities.
Written by: Audrey Tang. When we create a safe space for a community’s participants, to observe and decide our own social scripts, we can collectively program a social norm that is both rigorous and creative — just like the best formulas, poems, and programs.
Written by Matt Taylor. In part one of this two-article feature, where we are trying to understand the impact of the November 2018 same-sex marriage
As Taiwan’s LGBT community reels from the result of the referendum, they can find solace in the rich collection of Taiwan’s LGBT music cannon. Those songs that saw the community fight against discrimination, against inequality, and espouse the values of freedom, individuality and defying the status quo have an even more important meaning now than they did before.
While my past work focused on individual acts of resistance, my recent work investigates the possibility of collective actions to address the issue of gender inequality.
Written by Ji-ping Lin. Much like many countries, Taiwan has a long historical tradition of migration, including internal and international. Taiwan’s early developments were
Written by Chun-Ying Wei The long-anticipated Culture White Paper 2018 was officially published last December following the National Cultural Congress in 2017. I had the
Written by Terez Vincz The key figure of the second wave of Taiwanese New Cinema, Tsai Ming-liang’s The Walker (2012) consists of twenty-one shots recorded by a fixed camera. This article will
Written by Terez Vincze “I think that our present age is probably the worst time of all to be alive… Living in today’s world is terrible, I’m always
Written by Ming-yeh T. Rawnsley Professor Chris Berry (King’s College London) and I have been co-organising a project, “Taiwan’s Lost Commercial Cinema: Recovered and Restored”, since 2017. The