Taiwanese Theatre’s Struggle: The 228 Incident and White Terror Era

Written by Yin-Chen Kang. This year marks the 76th anniversary of the February 28 Incident, also known as the 228 Incident. Occurring 76 years ago, this event was sparked at the end of February, leading to the KMT military’s brutal campaign in March against those they considered dissidents, resulting in the slaughter of numerous civilians. This marked the beginning of an extended period of White Terror. While the incident profoundly impacted Taiwanese society, many people may not be aware of the significant consequences of the 228 Incident and the ensuing White Terror on the development of modern Taiwanese theatre.

History was Reconfigured at the Time of Discovery: The Life and Afterlife of Chiang Wei-Shui

Written by Fang-Long Shih. The life and afterlife of Chiang Wei-Shui (蔣渭水 1891–1931) have echoed what the film Rashomon has denoted: “History was not found at the time of its occurrence, but was reconfigured at the time of discovery” (dir. Akira Kurosawa 1950). In 1921, Chiang Wei-Shui founded Taiwan Cultural Association (TCA, 台灣文化協會), the first culture-based organisation in Taiwan’s history. The TCA was established “to promote Taiwan to a position of freedom, equality and civilisation”. The TCA also had a political aim to “adopt a stance of national self-determination, enacting the enlightenment of the Islanders, and seeking legal extension of civil rights”.

Transformation of Women’s Status in Taiwan, 1920-2020

Written by Doris T. Chang. Among all the gains made by Taiwanese women in the past century, achieving leadership roles in the political arena is perhaps Taiwanese women’s greatest achievement. During the Japanese colonial era, women had no right to vote. However, after lifting martial law in 1987, Taiwan emerged as a vibrant democracy. Due to political parties’ commitment to nominating more qualified women candidates for elections in the late 1990s and after that, the percentage of women elected to Taiwan’s Legislative Yuan reached 42 per cent in 2020 — the highest in Asia. This is equivalent to the percentage of women legislators in most Scandinavian countries. But Taiwanese women’s achievement in the political arena would not have been possible without making significant progress in their educational attainment throughout the twentieth century.

Hybrid Taiwanese Opera: The Vitality of “Opeila”

Written by Jasmine Yu-Hsing Chen. In Taiwan, outdoor Taiwanese opera performances next to temples have been essential to Taiwanese religious traditions for decades. Most troupes adhere to the etiquette of performing “classical plays for matinees and opeilas for evening performances.” Unlike performances in the afternoon, which are mostly classical repertoires based on books and legends, evening performances are always energetic. With the accompaniment of an electronic piano and jazz drums, the actors on stage sing pop songs and dress in shining sequin robes, fancy suits, or colourful Japanese costumes. This hybrid performance style has been called “opeila” (oo-phiat-a), which is phonetically adapted from the Japanese pronunciation of “opera” (o-pe-ra オペラ) in Taiwanese. This unique subgenre of Taiwanese opera has livened memories in numerous Taiwanese people and is one of the most concrete testimonies of vital Taiwanese culture.

Why Does Taiwan’s Development in the Past Century Matter?

Written by Peter C.Y. Chow. By the end of the 20th century, most former colonies had become independent though few qualify as modern states. Taiwan is an exceptional case in modern development history. Although still a Japanese colony until WWII, Taiwan became a modernised country with remarkable achievements in socio-political and economic developments by the end of the 20th century. Its unique development trajectory is worthy of in-depth analysis such that other developing countries can share its experience in the struggle for modernisation.

For the UK, Taiwan Could Provide an Alternative to Confucius Institutes

Written by Adrienne Wu and Marshall Reid. For the United Kingdom, 2022 was a year of significant change, particularly in its approach to the People’s Republic of China (PRC). Following years of relatively cordial UK-PRC relations, London followed the example of many other European states by shifting to a far more sceptical, confrontational policy toward Beijing. While this transformation was the product of various factors—from growing concerns regarding China’s human rights abuses to rising awareness of the PRC’s coercive economic policies—it was heavily influenced by domestic political manoeuvring. Nowhere was this more evident than in the competition between Liz Truss and Rishi Sunak to succeed Boris Johnson as prime minister, in which both candidates sought to frame themselves as the most tough-on-China. In a move emblematic of this game of China-sceptic one-upmanship, Sunak made the bold claim that he would close all of the UK’s remaining Confucius Institutes, the PRC’s international Mandarin language learning centres.

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