Written by Simon Delpeuch. This article examines Taiwan’s Austronesian diplomacy, highlighting the deep tension between the state’s political exploitation of indigenous heritage to counter diplomatic isolation and a more authentic, community-driven approach. It focuses on the National Museum of Prehistory (NMP) as a vital model of informal, reciprocal museum-indigenous diplomacy. By explicitly abandoning Taiwan-centric “origin” narratives, the NMP fosters genuine regional partnerships, despite facing ongoing constraints from broader state agendas and complex geopolitical pressures.
Fluid flows: phenomenological ecofeminism in Yen Ai Lin and Hsia Yü’s poetry
Written by Gabrielle Killick. This article examines the poetry of Yen Ai Lin and Hsia Yü through the concept of “phenomenological ecofeminism”. It argues that their representations of bodily and natural fluids challenge patriarchal ideas of femininity, expose the social abjection of women’s bodies, and foreground connections between embodiment, nature, and non-human life in post-Martial Law Taiwanese poetry.
