Representing the Unrepresentable: Cinema, Politics, and The Century Bloodshed Controversy

Written by Meng-Hao Li. The author describes the controversy surrounding the Taiwanese film The Century Bloodshed, inspired by the unresolved 1980 Lin family massacre. Responding to Wim Wenders’ claim that cinema should remain separate from politics, he argues that film inevitably engages with power and memory. Through debates over the film’s genre, his remarks, and the director’s background, the essay explores the ethical limits of representing historical trauma and Taiwan’s ongoing struggle to confront the legacy of the White Terror.

Continue reading

Harmonies Against the Silence: The GongSheng Music Commemoration’s Quest for Justice

Written by Liao Pin-yen. The author, representing the Taiwan Youth Association for Transitional Justice and Kiong-Seng, illustrates how the GongSheng Music Commemoration, a youth-led initiative in Taiwan, reimagines remembrance of the 228 Incident and the White Terror. Through music, exhibitions, storytelling, and NGO participation, the festival bridges generational distance from authoritarian history, advocates for transitional justice, and demonstrates how cultural activism can sustain public memory and civic engagement in contemporary Taiwan.

Continue reading

An Unresolved Political Murder in Taiwan — and Why the Silence Endures

Written by Wang Ting-Yu. The author examines Taiwan’s unresolved 1980 Lin family murders as a test case for transitional justice. He argues that decades of sealed political archives, shielded by expansive claims of “national security,” have obstructed accountability and deepened public distrust rooted in the February 28, 1947, massacre. While recent declassifications signal progress, key files remain inaccessible. He contends that democratic reckoning requires full archival disclosure and institutional transparency, warning that without truth, transitional justice risks becoming symbolic rather than substantive.

Continue reading

Not All Stories Are Yours To Tell – A Reflection on The Century Bloodshed Part II

Written by Chee-Hann Wu. This article continues reflecting on the controversy surrounding The Century Bloodshed, focusing on the balance between artistic freedom and ethical responsibility. Through classroom discussions, she argues that creators must be accountable when portraying real trauma, especially unresolved historical tragedies like the Lin family murders. The piece emphasises consent, agency, and historical awareness, concluding that some stories, particularly those rooted in others’ suffering, may not belong to outsiders to tell.

Continue reading

Not All Stories Are Yours To Tell – A Reflection on The Century Bloodshed Part I

Written by Chee-Hann Wu. This article reflects a personal memory and classroom discussion; she explores the ethical responsibilities of artists when representing traumatic historical events. Emphasising consent, historical accuracy, and self-awareness, the piece argues that storytellers and audiences alike must engage critically with how collective trauma is portrayed and remembered in art and media.

Continue reading

The Hidden Prison: How Taiwanese Comics Expose the White Terror’s Quiet Scars

Written by Meng Kit Tang. The piece examines how two recent Taiwanese comics: White Prison Shadows 2 (2025), grounded in Ye Shitao’s White Terror experiences, and White Rebellion 1 (2024), a speculative thriller; reveal the White Terror’s most enduring legacy: not the prison cell itself, but a “prison outside the prison” sustained through surveillance, social stigma, and internalized self-censorship.

Continue reading

From White Terror to Green Overreach: Taiwan’s Democracy Under Pressure

Written by Meng Kit Tang. This article examines how Taiwan, under mounting pressure from Beijing, risks drifting toward legal and administrative overreach at home. Drawing on recent high-profile detentions, national security legislation, and institutional gridlock, it argues that while today’s Taiwan bears no resemblance in scale to the White Terror, it increasingly echoes its methods: vague laws, procedural shortcuts, and media-driven stigma.

Continue reading

Growing but Still Constrained

Written by Aleksandrs Gross. This final piece of the special issue reflects on the challenges and approaches to studying Taiwan for the scholars interviewed. Despite the lack of institutionalised academic pathways and fragmented funding compared to other regional studies, there are approaches that, while not guaranteeing academic success, do significantly increase one’s chances of making a passion for Taiwan academically viable.

Continue reading

Researching Taiwan by Avoiding the Taiwan Gaze

Written by Aleksandrs Gross and Gunter Schubert. Gunter Schubert believes that maintaining some distance from the object of inquiry is sensible for analytical clarity and intellectual independence. The field of Taiwan studies cannot be a discipline in and of itself; it must span disciplines. Reflecting on his own academic journey, he believes that an academic career cannot be planned and that each step is valuable.

Continue reading

Defining Taiwan Studies

Written by Aleksandrs Gross. Chun-yi Lee’s path into Taiwan Studies was the result of following research questions that matched her interests and skills. She chose to study the island from the outside within a specific academic discipline. As the director of the Taiwan Research Hub at Nottingham University, she sees herself as a communicator, sharing what she knows, and as a facilitator, encouraging others to explore further.

Continue reading

Chance Encounters

Written by Aleksandrs Gross. Prof. Niki J.P. Alsford’s journey into the field of Taiwan studies was the result of a series of interests, each of which brought him a little closer to Taiwan. He remains optimistic about the future of Taiwan studies in offering cultural intelligence beyond surface familiarity, and also believes that remaining open, and saying yes to all opportunities is crucial for aspiring scholars.

Continue reading

Following Interests, Forging a Field: The Career of Ming-yeh Rawnsley

Written by Aleksandrs Gross. Today, Ming-yeh Rawnsley is one of the foremost authorities on Taiwanese language cinema, the founder of the International Journal of Taiwan Studies (IJTS), and the former Secretary-General of the European Association of Taiwan Studies (EATS). However, her career was driven by her interests, leading her to break conventional academic paths and combine specialisations creatively.

Continue reading

1 2 3 … 138