Destroyed Houses, Unfinished Justice: The Historical Trauma of Housing Modernisation of Tao Indigenous People 

Written by Yu-Yueh Tsai. This article examines how government housing policies in Lanyu during the martial law era replaced traditional Tao homes with flawed concrete structures. This modernisation project caused displacement, social upheaval, and long-term trauma. Inadequate reconstruction assistance forced families into debt and incomplete housing, widening inequality and weakening traditional kinship support systems while exacerbating mental health struggles.

Towards hope – the transformative power of affects in academia: On alternative ways of perceiving and narrating bipartisan politics in Taiwan

Written by Hsiao-Man Cavalli and Lily Y.H. Lin. This article explores how emotions shape the study of Taiwan’s party politics, examining how researchers’ embodied experiences can deepen understanding of political differences. Through reflections on collaborative research, it highlights how acknowledging emotions fosters more nuanced, inclusive, and relational approaches to conducting and interpreting Taiwan Studies.

Expressing Emotions in a Colonial Text: Huang Fengzi’s Taiwan no shōjo (A Young Girl of Taiwan)

Written by Anne Sokolsky.​ This article examines Taiwan no shōjo (1944), a collection of essays by Taiwanese writer Huang Fengzi, arguing that its emotional language reveals the complexities of colonial identity under Japanese rule. Through an analysis of competing voices and affective expressions, it explores how emotions, power, and cultural belonging shaped both the text and its colonial context.

Feeling Taiwan: Emotions, Knowledge, and the Politics of Everyday Life 

Written by Po-Han Lee, Alvaro Martinez-Lacabe, and Yu-chin Tseng.​​ This special issue, featuring the co-editors and authors of the recently published edited volume, Feeling Taiwan, explores how emotions shape Taiwan’s politics, history, and everyday life. Drawing on six case studies, it examines how feelings are not separate from knowledge but fundamental to understanding identity, social change, and lived experience, while inviting broader audiences to engage with Taiwan through emotion.

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