Left-Handed Girl (2025) and Taiwan Subculture

Written by Sheng-mei Ma. This article argues that the film Left-Handed Girl (2025) uses Taiwan’s night markets, betel nut culture, and the stigma surrounding left-handedness to critique patriarchal power. Through a multigenerational family drama centred on women’s resilience, the film exposes how oppression is perpetuated by both men and women while imagining a restored matrilineal bond that challenges inherited social hierarchies and cultural prejudices.

Stealing the Show: How Cheerleaders Became the CPBL’s Most Powerful Demand Shifter 

Written by Fang-Chang Kuo. The article examines how the CPBL transformed from a sport-centred league into an entertainment-driven spectacle, fuelled by celebrity cheerleaders like Lee Da-Hye. It argues that entertainment talent can rival superstar athletes in driving attendance, while highlighting how branding, social media, and novelty increasingly shape modern sports economics and fan culture.

Batting for the Nation(s): Baseball and the Conditional Rise of Competing Identities in Taiwan

Written by Daniel Yu-Kuei Sun, Jou Fei Huang and Thung-Hong Lin. The article examines how international baseball success influences national identity in Taiwan. Using polling data from the 2024 Premier12 tournament, the authors argue that key victories strengthened exclusive Taiwanese identity while reducing dual Taiwanese-Chinese identification. However, identity shifts varied by opponent and political affiliation, revealing the contingent, emotional, and contested nature of Taiwanese nationhood.

Rooted in Motion: Multivocality of Amis Ecological Knowledge in Collaborative Museum Curation

Written by Su-Mei Lo. This article illustrates how collaborative curatorial practice transforms museums from static repositories into dynamic arenas of indigenous recovery and knowledge translation. By engaging Amis communities from ’Atolan to Keelung, these projects navigate sociopolitical friction and dismantle the rigid dualism separating ancestral hometowns from urban migrant spaces.

Welcoming Home Ancestral Objects: A Report of the Ki cacepeliw Collaboration

Written by Michel Lee. This article explores “Ki cacepeliw,” a three-year collaborative project between Sweden’s National Museums of World Culture, the National Taiwan Museum, and the Southern Paiwan community of Shizi Township. By centring on the century-old Nakahara collection at Stockholm’s Museum of Ethnography, the initiative embraces shared stewardship to reconnect descendants with their heritage. Culminating in a landmark 2025–2026 homecoming exhibition, the collaboration has breathed new life into Paiwan cultural identity, inspiring local artisans to revive and recreate long-lost traditional crafts and instruments.

1 2 3 284