Written by Kefei Cao. The author traces her personal and historical journey across the Taiwan Strait, moving from lived encounters to reflections on war, memory, and coexistence. Drawing on Lung Ying-tai and Gilles Deleuze and Félix Guattari, she proposes theatre as a space for reimagining peace beyond binary divisions, where vulnerability, dialogue, and shared humanity become the grounds for fragile yet enduring connection.
Left-Handed Girl (2025) and Taiwan Subculture
Written by Sheng-mei Ma. This article argues that the film Left-Handed Girl (2025) uses Taiwan’s night markets, betel nut culture, and the stigma surrounding left-handedness to critique patriarchal power. Through a multigenerational family drama centred on women’s resilience, the film exposes how oppression is perpetuated by both men and women while imagining a restored matrilineal bond that challenges inherited social hierarchies and cultural prejudices.
