Written by Chee-Hann Wu. This article reflects a personal memory and classroom discussion; she explores the ethical responsibilities of artists when representing traumatic historical events. Emphasising consent, historical accuracy, and self-awareness, the piece argues that storytellers and audiences alike must engage critically with how collective trauma is portrayed and remembered in art and media.
Narratives of Recognition: Media framing of the Somaliland-Taiwan partnership amid China-Somalia competition.
Written by Khadar Nouh Yonis. This article compares the media framing of the Taiwan-Somaliland partnership in Taiwan and Somaliland, and in China and Somali media. It found that the media discourse surrounding Taiwan-Somaliland relations is strategically built. The contrast between these discourses demonstrates that media do not only report events; they actively construct competing interpretations of legitimacy, power, and strategic interest.
