Author: Yu-Chen

Taiwan’s 2024 Presidential Candidates: How Do They Fare on the Climate?  

Written by Chia-wei Chao & Benjamin Yang. When it comes to the climate, all three candidates in Taiwan’s upcoming presidential election have emphasised the importance of taking action and committed to achieving net-zero emissions by 2050. The main driver behind this mainstreaming of climate policy is the fact that supply chain requirements have made the country’s export competitiveness highly connected to climate performance. Therefore, we must scrutinise the comprehensiveness of each candidate’s policy proposals, rather than solely relying on whether they are climate denialists, to distinguish their positions. Taiwan Climate Action Network (TCAN), a collaborative advocacy platform organised by five NGOs, has thus produced a climate commitment tracker to compare their positions on seven key climate-related policies: (1) 2030 emissions reduction target, (2) carbon pricing strategies, (3) 2030 power mix, (4) renewable energy development plan, (5) industrial decarbonisation, (6) public participation, and (7) just transition. In this article, we will focus specifically on their 2030 pledges, carbon pricing strategies, and just transition policies.

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Taiwan’s energy policy at the crossroads in the presidential election in 2024? 

Written by Anthony Ho-fai Li. Energy policy remains a highly controversial policy arena in Taiwan after democratisation, given its importance for Taiwan’s security, environmental sustainability and economic development. Under the presidency of Tsai Ing-wen, the agenda of “Nuclear-free Homeland 2025” (2025非核家園) proposed by the Democratic Progressive Party (DPP) in 2016 has been subject to political challenges, which involved the debates about the use of nuclear energy beyond 2025 and the reduced capacity of coal-fired electricity plants for air pollution mitigation. The policy strategy to replace nuclear energy with rapid solar energy development has also faced enormous social challenges as its large-scale installation conflicts with the existing land uses. 

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Inherent Powers of Objects: Resonance Across the Online Exhibition 

Written by Zuzule Demalalade & Tien-Li Schneider. When we believe that there is power behind every object, it signifies our departure from mundane perspectives and a return to the cosmic space we share with our ancestors. As Indigenous cultural curators based in Taiwan, our involvement with the Kuroshio Odyssey: Maritime Memories, Culture, and Landscapes (hereafter KO) exhibition project began on an ordinary workday when KO’s curator, Jiun-Yu, returned from the United States to Taiwan and visited our office one afternoon. He mentioned that the Burke Museum had some collections from Taiwan’s Indigenous tribes. Together with Nikal (Margaret), a law doctoral student at the University of Washington with Amis Indigenous roots in Taiwan, they were planning an exhibition on Taiwanese Indigenous artefacts. This sparks the idea of collaboratively establishing an online platform, a digital bridge across the 14-hour time difference between Taiwan’s Indigenous artefacts and the Burke Museum’s exhibits.

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Embarking on the Kuroshio Odyssey: A Journey from Taiwan’s East Coast to the U.S. West Coast 

Written by Sra Kacaw (Bo-Jun Chen). While planning the Kuroshio Odyssey exhibition, I had a discussion with Margaret Yun-Pu and Jiun-Yu Liu. Margaret invited Indigenous communities in Taiwan to collaborate, prompting me to search for colleagues who might accompany me. I started by pinpointing the topics we aimed to share through the exhibition. As the Kuroshio Current flows through Eastern Taiwan, what are the ethnic groups living in that area? How can we introduce the marine and material culture to the people in Seattle?  

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Crossing Paths: A Cultural Odyssey from Taiwan to Seattle 

Written by Sayang  Anang. In November 2023, I had the honour of being invited as a member of the Taiwanese Indigenous delegation to the Kuroshio Odyssey exhibition hosted by the Burke Museum at the University of Washington, Seattle. Before embarking on this journey, I hadn’t given much thought but to grasp the rare opportunity to share the traditional cultural practices of my tribe—the Lidaw tribe of the Amis in Hualien, Taiwan—with my foreign friends. Excitement filled me as this was my first time setting foot on American soil, and I relished every exchange I made. The thrill stemmed from meeting new people, exploring the UW campus’s rich history, or appreciating the proximity of Burke Museum’s collections. With each encounter, we absorbed different nutrients, stimulated more reflection and feedback, and made this trip a fruitful one. 

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From A Black Pot to Kuroshio Odyssey 

Written by Jiun-Yu Liu. Kuroshio Odyssey: Maritime Memories, Culture, and Landscapes (follows as KO) is a mini exhibition held at the Burke Museum in Washington State, USA (Oct 14 – Nov 28). KO focuses on two key themes: the diverse Indigenous cultures and the stunning natural landscapes in eastern Taiwan. As a multi-media exhibition, KO showcases material collections from multiple Indigenous communities in eastern Taiwan and includes an immersive element as visitors can access QR codes that provide images and detailed information about the selected pieces. In addition to the onsite exhibition, two Indigenous Taiwanese guest curators working in Taiwan and New Zealand have chosen wonderful artefacts from the Indigenous Peoples Cultural Development Center collection and converted them into an online exhibition to echo and enrich the KO exhibition content.

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