Written by Ming-yeh T. Rawnsley. This article explores how the Taiwanese political drama Wave Makers helped catalyse Taiwan’s 2023 #MeToo movement by fostering empathy, challenging victim-blaming, and providing language for collective action. Drawing on XinLing Li’s recent book, it examines television’s capacity to shape public discourse while acknowledging its limitations in producing lasting social change.
Written by Sheng-mei Ma. Part II of the article perceives Detention as a haunting of Taiwan’s White Terror, where Fang’s guilt, forbidden love, and suppressed memory recur through ghosts, banned texts, and images of facelessness and decapitation. Its hybrid cultural references reveal Taiwanese identity as historically layered, while headlessness symbolises political violence, erasure, and unresolved collective trauma.
Written by Sheng-mei Ma. This article focuses on self-alienation and the pursuit of Eurocentric beauty standards. It examines how Chinese linguistic biases and the prevalence of cosmetic surgery among celebrities reflect a subconscious, self-inflicted whitewashing that parallels historical settler colonialism and racial hierarchies.
Written by Sheng-mei Ma. This is Part II of the article. Through a close reading of the Chinese TV series Reset, the article argues that its recurring time loops, terrorism, and symbolic imagery allegorise authoritarian violence, historical repetition, and state repression in the People’s Republic of China, which ultimately frames Taiwan as the regime’s imagined final object of political and territorial consumption.
Written by Sheng-mei Ma. This is Part I of the article. Through a close reading of the Chinese TV series Reset, the article argues that its recurring time loops, terrorism, and symbolic imagery allegorise authoritarian violence, historical repetition, and state repression in the People’s Republic of China, which ultimately frames Taiwan as the regime’s imagined final object of political and territorial consumption.
Written by Ming-Yeh T. Rawnsley. This article shares insights from the new edition of The Routledge Handbook of Chinese Media (2025), which documents a radically transformed, digitalised media ecology across the Chinese-speaking world. Comparing Taiwan, the PRC, Hong Kong and Macao, it foregrounds platform governance, power, participation and cultural negotiation, positioning Taiwan as a key lens for rethinking Chinese media studies in the digital age.
