Written by Yiling Pan. What is the Taiwanese identity in today’s Taiwan Cinema? In 2008, Taiwan’s Cinema began to get back on its feet after an extended lull, with several new directors successively releasing critically acclaimed first works, such as Chung Mong-hong’s Parking, Tom Lin Shu-yu’s Winds of September and Gilles Yang’s Orz Boyz!. However, it took Wei Te-sheng’s debut, Cape No. 7, to become a box-office hit and arouse widespread interest in Taiwanese film. .
Written by Daniele Mario Buonomo. The diffusion and practice of Traditional Chinese medicine (TCM) is an important issue both in the Chinese and Western worlds. In European and Western countries, TCM, and specifically acupuncture, is increasingly popular. In 1979, for the first time, acupuncture and moxibustion received the attention of the World Health Organization. TCM’s importance has even been stressed in 2010 by UNESCO, who inscribed acupuncture and moxibustion on the Representative List of the Intangible Cultural Heritage of Humanity.
Written by Chee-Hann Wu. Puppets are mysterious creatures with lives and narratives different from that of humans. With its poetic and metaphorical nature, puppetry can unfold untold stories, censored or silenced. Flip Flops Theatre’s Lala: The Singing Bear (2019) and I Promised I Wouldn’t Cry (2019) are examples of puppets’ potentiality to access and tell these stories. Both pieces, designed for adults and children, adopt puppetry as a medium to address trauma under the White Terror.
Written by Kuan-Wei Wu 吳冠緯. Like his East-Asian contemporary intellectuals, Joshua was a product of both Western and Eastern traditions during those divided times. His reflection on statehood enfolds different trends of twentieth-century thought. This makes him a complex but intriguing thinker. When previous studies emphasise his political and nationalistic engagement, it should be noted that his way of thinking and philosophical methodology is also worthwhile to research.
Written by Dafydd Fell. Twenty-five years ago, Taiwan was amid the 1995-1996 Taiwan Strait Crisis and its first direct presidential campaign. It was not only the closest China and Taiwan had come to military conflict since the late 1950s but also the moment that Taiwan was first internationally recognised as a full democracy. At this crucial moment in Taiwan’s modern history, the Green Party of England and Wales issued a press release with the headline ‘Penny Helps Taiwan Greens Win Seat.’
Written by Yi-Yu Lai. As an anthropologist who studies Indigenous movements in the Philippine highlands, my experiences of beauty pageants’ are not rare. The beauty pageant has been culturally entrenched in the Philippines and its diasporic communities for many decades. Because these contests are very popular with Filipinos, some Indigenous youth advocates use them as an instrument for cultural activism, empowering participants and attracting those who were previously indifferent to political issues. Nevertheless, the Filipino beauty pageants of Taiwan are quite different from those I previously experienced.
Written by Susan Shih Chang. On the government’s side, the Museum Act has become a mechanism for exercising power through specific forms of knowledge and expertise; a technology that shapes society’s thoughts and understanding toward culture. On the applicant’s side, although the local government has control in the process of applying for the registration of a private museum, intentions and understanding from the private museum owners and their interaction with the public sector have added a new dimension and layer to the meaning and means of museums.
Written by Natasha Heller. Rising global temperature increases and predictions about sea levels can be abstract, even for adults. How can the phenomena of global warming be visualized? How can climate change and environmental degradation be made understandable by young children? The earth’s round shape, as imagined from space, lends itself to the addition of eyes and a mouth to convey unhappiness or illness on a global level. Distressed or lonely polar bears also convey the negative effects of global warming but are still quite distant from most children’s everyday lives.
Written by Yi Wang. Significant progress and landmark rulings in advancing LGBTQ+ rights have been made across Asia in recent years, though many challenges and obstacles remain. Asians are among the fastest-growing ethnic groups in the UK, but Asian LGBTQ+ communities are not widely represented. Film reflects society and a medium capable of raising awareness amongst audiences in a direct and accessible way. Queer representation in the media is strongly linked to the wider public’s views on LGBTQ+ communities. I founded Queer East to amplify the voices of under-represented queer Asian and diasporic communities.
Written by Elsa Sichrovsky. While government stipulations may appear to establish a strong structure of support and resources for students with a disability, the situation on the ground is often far from ideal. Most schools lack the trained staff and financial resources actually to implement IEPs for children with special needs. Many schoolteachers are already overloaded with large classroom sizes, stringent demands and requests from parents, and hosting extracurricular activities such as contests and art projects. With a child who has special needs added to the classroom comes the added stress of managing Individual Education Plans (IEPs) and attending IEP meetings with special education professionals and parents.
Written by Ta-Wei Chi. As a researcher of Taiwanese queer literature, I have found intersectionality between the queer and the disabled in literature since the late 1960s. Commonly lauded as the most influential gay text in the Chinese-speaking world, Hsien-yung Pai (1937-)’s Crystal Boys (serialised since 1978, published as a novel in 1983) mentions how a couple of sugar daddies take home the hunks with developmental disabilities as their intimate partners. Pai’s 1969 story, “A Sky Full of Bright, Twinkling Stars,” typically considered a prequel to Crystal Boys, tells how both the youthful male prostitutes and their senior patrons are made disabled once they are arrested and tortured by police.
Written by Kuoyu Wang. The most important questions to be answered are the following. Is independent living actually suitable for Taiwan? Moreover, does independent living mean that the state rather than the family should bear the burden of providing care? If independent living is a right of people with disabilities, should it be satisfied through a generally designed service system or a totally customised system with an individual framework? Should there be a limit to the rights fully provided by the state?