Written by Yi-Yu Lai. This article examines how a roundtable at the 2025 NATSA rethinks Taiwan through the lens of Island Studies. Drawing on case studies from Kinmen, Matsu, Penghu, Palau, Lanyu, and Batanes, it explores how islandness complicates questions of identity, scale, and connection within and beyond Taiwan.
Written by Choesang Scholer. Despite the pressures of external forces on Indigenous land and domain, Indigenous community members utilise art as a medium for political protest to amplify their concerns when their government fails to do so. This article explores the way in which identity-building expression appears through various forms of art.
Written by Eloise Phillips. This article examines the 2025 Taiwan–Guam cultural exchange, led by Taiwan’s National Museum of Prehistory, which wove song, canoe building, and shared practices into island diplomacy. Through workshops, performances, and informal encounters, the program connected Austronesian communities across the Pacific, highlighting resilience, mutual reclamation, and living traditions of cultural practice, language, and art.
Written by Ana Paloma Martínez Gómez. This article explores how Indigenous identity is portrayed on screen and how film supports cultural revitalisation and self-representation through a decolonial and gendered lens. As a new Taiwanese national identity emerges, the gap between official recognition and ongoing cultural marginalisation reveals the complex space Indigenous communities occupy.
Written by Fasa’ Namoh. This article explores how charismatic Christian prophecy shaped the 1990s migration of Paiwan families from Taiwan to Belize. Drawing on multisited fieldwork in Belize, Taiwan, and the United States, the research examines how religious landscapes and cultural memory are reterritorialised through cross-cultural encounters and diasporic practices.
Written by Aaron Su. This article discusses the crucial role of photography in consolidating a liberal multicultural order in Taiwan by obscuring dissent through visual depictions of harmonious Indigenous life. Drawing on fieldwork at Taiwan’s Cultural Health Stations, the author shows how photography portrays Indigenous satisfaction with current health policies, leaving little room for the everyday pressures, demands, and disputes.
