Written by Yen Lin (mashbean) Huang. This article argues that Taiwan’s experience demonstrates that the digital space need not be characterised by quarrelling and indifference, or a tool for stronger control and deeper division. It can also be a space of digital collaboration that unites people and builds solidarity. The true divide lies not in which technology is adopted, but in whether society retains agency.
Written by Khadar Nouh Yonis. This article compares the media framing of the Taiwan-Somaliland partnership in Taiwan and Somaliland, and in China and Somali media. It found that the media discourse surrounding Taiwan-Somaliland relations is strategically built. The contrast between these discourses demonstrates that media do not only report events; they actively construct competing interpretations of legitimacy, power, and strategic interest.
Written by Ming-Yeh T. Rawnsley. This article shares insights from the new edition of The Routledge Handbook of Chinese Media (2025), which documents a radically transformed, digitalised media ecology across the Chinese-speaking world. Comparing Taiwan, the PRC, Hong Kong and Macao, it foregrounds platform governance, power, participation and cultural negotiation, positioning Taiwan as a key lens for rethinking Chinese media studies in the digital age.
Written by Elizabeth Frost. This article examines how Taiwan’s ambitious offshore wind energy development strengthens its collaboration with Europe and shapes its global climate identity. It highlights the significant role of offshore wind in shaping Taiwan’s global image and identity as a responsible actor in addressing climate change.
Written by Adrienne Wu and Yuchen Lee. The article discusses the impact of budget cuts to Taiwan’s Ministry of Culture. These cuts, including major reductions to media promotion, threaten Taiwan’s cultural industries, limit international outreach, and undermine the country’s ability to counter Beijing’s media influence.
Written by Patricia Huang. This article analyses the budget cuts to Taiwan’s Ministry of Culture, including the freezing of funds for museums and the possible impacts of under-budgeting. It explores the debate around subsidising culture and the concept of “Cultural Exception”. The author also examines alternative funding sources for culture, taking examples from other countries, such as lotteries and TV licensing fees.
