Written by Ian Inkster. As Joseph Cummings has summarised recently for Redaction Politics, ‘experts believe that Mr Biden’s policy will fall short of provocation of mainland China and Mr Trump’s open empowerment of Taiwanese militarisation,’ and there is little reason yet to discount that view. The fact that the US has approved recent arms purchase deals with Taiwan may mean no real change in the long history of less-than-best military techniques being sold off to Taiwan as part of the old cold-war alliance.
Written by Ko Lien. The demand for pig and pork products increased, but businessmen had begun to import pigs from across the strait since supplies have dwindled. As refrigeration technology was still in its infancy at this point, live pigs were imported. However, many overdue would die on the journey to disease or ship wreckage. In response to this, Taiwan’s first-ever insurance company was founded for protecting against pig loss.
Written by Fumiko Sasaki. After almost eight years, Yoshihide Suga became the Japanese prime minister after Shinzo Abe stepped down. This change happened amid a pandemic and a geopolitical crisis. While states have been preoccupied with Covid-19, China has become more aggressive globally. In light of the US presidential election, the Trump administration has toughened its attitude toward China. In Japan, Taro Kono – the Defence Minister until mid-September – called China a ‘security threat,’ the first time China was officially labelled as such. Suga is reported to be ready to talk to the President of Taiwan. Will Suga be tougher on China?
Written by Yan-Shouh Chen. As City Pop become more known to Taiwanese indie music lovers, unveiling J-pop history might not be enough. Some fans turned their eyes toward Taiwanese artists that are good at creating groovy melodies. These artists might consider themselves as R&B and Hip Hop rather than City Pop, but the boom did them a favour, and now the spotlight is on them.
Written by Makiko Mori. Wu Zhuoliu’s (1900–1976) Orphan of Asia is a renowned work of colonial Taiwanese literature. Surreptitiously written towards the end of Japan’s colonial rule in Taiwan (1895-1945), this semi-autobiographical novel bears a powerful witness to Taiwan’s deeply troubled, albeit legitimately modern, claim for the right to self-determination and self-representation.
Written by YU Nai-Hui. My PhD studies involved anthropological fieldwork in Japan focused on the social issues of Wansei 湾生, a Japanese term referring to Japanese born in Taiwan before 1945. The term Wansei became an overnight sensation in Taiwan following the release of the documentary film Wansei: Back Home (2015).
Written by Tim Shao-Hung Teng. In 2015 Taiwanese filmmaker Huang Ya-li (黃亞歷) released his documentary Le Moulin (Riyaori shi sanbuzhe/ 日曜式散步者) to critical acclaim. The film recounts the major life events of four core members of Taiwan’s prewar surrealist poetry society, Le Moulin (fengche shishe/風車詩社). Known for its experimental style that does away with interviews and voice-over narrations, the nearly-three-hour film cites, extracts, pastes, and freely associates materials such as literature, paintings, photography, sounds, film footage, diary entries, and newspaper clippings. These sources are not always readily recognisable and nor are they all directly related to the poets’ works.
Written by Robert Hoppens. Taiwan has recently become the focus of renewed international concern. The election of President Tsai Ying-wen of the independence-leaning Democratic Progressive