At the Consumer’s Convenience – What the Convenience Store in Taiwan Offers

Written by En-chi Chang. The convenience store in Taiwan has been part of daily life in Taiwan. To stay competitive, convenience store retailers remain focused on providing customers with convenient offerings. The current trend echoing the international retail development is the digitalisation of products and customer services. Nevertheless, development such as unmanned stores and metaverse is still in the infant stage. It is exciting to observe whether Taiwanese consumers will well receive services such as 7-Eleven’s X-Store and FamilyMart’s O2 Meta and whether other convenience store retailers will follow this development.

Two Young Indigenous Scholars are Promoting Indigenous artists – in Taiwan and Beyond.

Written by Fanny Caron. Lin and Ismahasan’s academic disciplines and the career path they have chosen to highlight a change in Taiwan Indigenous studies on an international level. These choices enable them to play a part in shifting the discourse on Indigenous Peoples from “objects” of study to active “subjects” of their own (counter-) narrative, supporting their affirmation of Indigeneity and tribal sovereignty.

Memes and Milk Tea Alliances: Ludic activism in Taiwan in 2021

Written by Genevieve Leung. The Milk Tea Alliance was formed when Mainland Chinese social media users attacked two Thai celebrities to support pro-democracy protesters in Hong Kong and Taiwan independence activists. Thai social media users deployed humour to combat the attacks, and Taiwan and Hong Kong users joined in, using the shared custom of drinking milk tea, along with various minoritized statuses, as the cohesive forces that “naturally” drew them together.

Rethinking Self-Identity and Taiwanese Indigenous Musicians’ Contemporary Presentation on Social Media

Written by GuoTing Lin (Kuing). This work uses digital ethnography to consider how Taiwanese indigenous musicians utilise Facebook as their primary official platform for audience communication. I go about this by analysing cover images, profiles, photos, and feeds on Facebook, which is used to depict the details of the texts, photos, and videos. It thus shows the self-presentation and the communication of Taiwanese indigenous musicians concerning cultural and social issues. Moreover, I argue that indigenous musicians perform their identity through online self-presentation in everyday life.

Transition and Transformation: The Naming Dilemma in Today’s Taiwan Cinema

Written by Yiling Pan. What is the Taiwanese identity in today’s Taiwan Cinema? In 2008, Taiwan’s Cinema began to get back on its feet after an extended lull, with several new directors successively releasing critically acclaimed first works, such as Chung Mong-hong’s Parking, Tom Lin Shu-yu’s Winds of September and Gilles Yang’s Orz Boyz!. However, it took Wei Te-sheng’s debut, Cape No. 7, to become a box-office hit and arouse widespread interest in Taiwanese film. .

The Global Story of Traditional Chinese Medicine in Italy, China and Taiwan

Written by Daniele Mario Buonomo. The diffusion and practice of Traditional Chinese medicine (TCM) is an important issue both in the Chinese and Western worlds. In European and Western countries, TCM, and specifically acupuncture, is increasingly popular. In 1979, for the first time, acupuncture and moxibustion received the attention of the World Health Organization. TCM’s importance has even been stressed in 2010 by UNESCO, who inscribed acupuncture and moxibustion on the Representative List of the Intangible Cultural Heritage of Humanity.

A Response to Trauma through Puppetry and Performative Reenactment

Written by Chee-Hann Wu. Puppets are mysterious creatures with lives and narratives different from that of humans. With its poetic and metaphorical nature, puppetry can unfold untold stories, censored or silenced. Flip Flops Theatre’s Lala: The Singing Bear (2019) and I Promised I Wouldn’t Cry (2019) are examples of puppets’ potentiality to access and tell these stories. Both pieces, designed for adults and children, adopt puppetry as a medium to address trauma under the White Terror. 

The Fashioning of Filipino Community in Taiwan: OFW Beauty Pageants in the Era of Social Media

Written by Yi-Yu Lai. As an anthropologist who studies Indigenous movements in the Philippine highlands, my experiences of beauty pageants’ are not rare. The beauty pageant has been culturally entrenched in the Philippines and its diasporic communities for many decades. Because these contests are very popular with Filipinos, some Indigenous youth advocates use them as an instrument for cultural activism, empowering participants and attracting those who were previously indifferent to political issues. Nevertheless, the Filipino beauty pageants of Taiwan are quite different from those I previously experienced.

Writing the history of Taiwan’s animals

Written by Cheng Li-jung. In recent years, “Animal writing” is a developing issue in literary research. Many studies have given a focus on animals and social culture since the 1980s. They combined with cross-field animal research and attempted to rethink the history of animals in the context of ecological ethics and animal protection. Now it can be said that animal history is a new historical perspective and emerging field.

Unpacking ‘Indie Music As Cool Ambassadors’ – Reflections on Taiwan’s Cultural Export Policies 2010-Present

Written by Jocelle Koh. During my time as a university student, what I would have given to have a copy of Routledge’s latest edition to their ‘Made in…’ series, ‘Made in Taiwan’. It would have been handy! As a student doing my thesis on the Taiwanese music industry in a university about as far removed from the topic as you can get, procuring the Taiwanese instalment of this academic series – completely in English and geared towards advanced understandings of Taiwanese popular music – would have saved me a lot of trouble.

Taiwanese Popular Music as World History

Written by Eva Tsai. Sure, I had an agenda: First, I wanted to create at the time—with popular culture details—a sense of the social and cultural space. Second, I wanted to suggest that any entry point is a good entry point into Taiwanese popular music, so long as it is put into a historical and geopolitical context, along with developing a curiosity and mindfulness about what else was going on when it was made and circulated. Such was the spirit we carried into Made in Taiwan: Taiwanese popular music as world history.

Why are Taiwanese Politicians Collaborating with Youtubers?

Written by Sam Robbins. Taiwanese politics has been digital as long as it has been democratic. Taiwan’s first direct presidential election in 1996 was hotly debated on popular BBS systems of the time. More recent elections have been fought on blogs, PTT, facebook and elsewhere. Taiwanese politicians have always been looking for new methods to connect with voters and make themselves visible in an ever-changing digital landscape.

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