Written by Chen-Yu Lin. 30 years since inception the Awards are still presented by the Ministry of Culture, but have also become a stage where musicians are free to make political statements.
Written by Maggie Yang. Given the reality that music promotion cannot completely rely on the government’s cultural policy and subsidy, more professionals based in overseas countries are dedicating themselves to increasing Taiwan pop music’s global visibility and audibility. The three speakers I invited to the talk were from academia and industry. What they have done in the past years has exceeded the government’s capability and had a real impact for Taiwan’s artists and the music industry. Through their efforts, and those of other artists and promoters, Taiwan’s pop music is being heard on some of the biggest stages in the world.
Written by Eden Townend. This is a clear manifestation of this mutually beneficial relationship at work. CD REV align their content with the CCP’s values and preferred narratives pertaining to Taiwanese reunification, and the CCP in turn provide the rap group with the necessary tools to be successful.
Written by Queer in the World. There’s always something exciting about visiting a place that is constantly changing and progressing, and Taiwan definitely fits the bill. The LGBT scene in particular is very exciting and we totally believe in supporting a country that’s so far ahead of its neighbours in terms of gay rights.
Written by Queer in the World. According to a 2016 study, tolerance towards homosexuality in Taiwan increased 132% between 1995 and 2012 and Taiwan’s reputation as the most gay-friendly country in Asia is certainly more than justified by this and its thriving gay community.
Written by Fangmei Lin. What is emphasized by Luo as “becoming non-human” is, in fact, becoming non-Taiwanese. The entire loop of becoming eventually demonstrates the paradox of the Taiwanese: unending deferral and the situation of absence constitute the meaning of being and becoming (non)-Taiwanese.
Written by Tsung-Lun Alan Wan. In Kinmen’s case, we see how geopolitical process can also be a sociolinguistic process, where Kinmenese people deal with the identity crisis of demilitarization through cultural imaginations about Kinmen-Taiwan differences.
Written by Ya-chen Chen. Although there are many English-language academic books about Taiwan, those exclusively focusing on Taiwanese gender issues could probably be counted on the fingers of one’s hand. This is most likely due to the tendency for many feminists or gender scholars to frequently place Taiwanese gender issues under the huge umbrella of Mainland Chinese, Communist Chinese or PRC women’s and gender studies.
Written by Paris Shih. The gay history of Jolin Tsai was not only a gay thing. It was also a generational thing. For every Taiwanese gay man growing up in the late 90s and the early 2000s, there was a Jolin Tsai. It was both personal and political, individual and communal.
Written By Chin-ju Lin. A Seediq perspective on the uprising and genocide might still be forthcoming and would be welcome as Wei’s movie reopened the historical trauma without the Seediq being ready to see themselves represented in such a compromising way.
Written by Shao-yi Chan. In this respect, the personal, private struggle seems to give way to a social, public conflict that resituates the family as the overarching element in Taiwan’s queer politics.
Written by Amy Brainer. Family life in Taiwan changes rapidly—as, for example, families grow smaller, the cost of living rises, and new ideas about child development are popularized—so too do the tools available to families to make sense of gender and sexual diversity.