Written by Sheng-Chang Lin. As well as creating Matsu as a region, the Cold War also tied Matsu to Taiwan. Communication had been minimal between the two before the war—Taiwan was a colony of Japan, whereas Matsu was part of Fujian—but not both regions were part of a new post-war state. Especially due to the prosperity on Taiwan Island, migration from Matsu to Taiwan has become increasingly common. Nowadays, the Bade district of Taoyuan City（桃園市八德區） and Keelung City （基隆市）are known for their large Matsu population.
Written by Fang Tang. In the early 1920s, many writers from mainland China migrated to Taiwan because of socio-political upheavals, thus began their unending diasporic ‘escape’ journey. One of these authors, Hualing Nieh, expresses the thoughts of a generation of diasporic writers, illustrating in her work with particular emphasis the theme of ‘escape.’ Born in 1925 in Wuhan, Hubei, China, Nieh experienced the Sino-Japanese War and the Chinese Civil War.
Written by Min-erh Wang. From the late nineteenth century onwards, Chinese musical culture has been significantly impacted by the importation of Western music. Chinese musicians and intellectuals, therefore, began to organise an orchestra with Chinese instruments as a way for pursuing musical modernisation. The establishment of the music section at the Central Broadcast Station in Chongqing in 1935 was the most prominent example of this trend. By presenting this new ensemble at international occasions, the modern Chinese orchestra was further promoted as ‘Gou Yue (國樂),’ meaning ‘national music,’ in the first half of the twentieth century.
Written by Amélie Keyser-Verreault. Many feminist analyses emphasize the influence of neoliberalism in changing maternity and causing intensified beauty pressure. In this article, I seek to inaugurate a discussion of the relationship between motherhood and the quest for beauty, primarily the phenomenon of a new sexy maternity in Taiwan’s neoliberal context. Since the rapid spread of neoliberal ideology might favour the inclusion of beauty as part of human capital—and non-Western societies can be thought of as directly affected by this global beauty culture—it is relevant to observe the phenomenon of regaining one’s body.
Written by DJ Hatfield. Over the past ten years, images of Indigenous people have increased both in Taiwan and international representation. Indigenous people appear in depictions of Taiwan’s relationships to Southeast Asia and the Pacific, in promotions of Taiwan as a tourist destination, in discourses of sustainability, and images of environmental protest. In relationship to these representations of Indigenous people, Taiwanese Indigenous contemporary artists maintain an ambivalent footing, aware that current indigenous visibility rearticulates Taipei (here referring broadly to settler power) rather than displacing it.