Written by Meng Kit Tang. This article argues that Cheng Li-wun promotes a distinct formulation, Chinese identity with Kuomintang characteristics, anchored in the ROC constitution and civilizational heritage, while rejecting the sovereignty of the Chinese Communist Party. Such reclamation may reinforce the very trend it seeks to counter, and the reactions to the Cheng-Xi summit reflect this paradox.
Written by Meng Kit Tang. This article explores the evolving debate over Taiwanese identity, contrasting two models: the rejectionist approach and the redefinition model. It examines the implications of each model for domestic cohesion, diplomacy, and national resilience, arguing that a redefinition approach provides Taiwan with a stronger foundation to navigate internal polarisation and external pressures.
Written by Aleksandrs Gross. This article examines Cheng Li-wun’s leadership through the eyes of the younger generation. Not only did her statements on identity and Taiwan’s future fail to resonate with younger people, but she also failed to address livelihood issues such as high housing prices, inflation and employment pressure, which are seen as the most critical issues for younger Taiwanese.
Written By Paula Perez. This article analyses the promises and positions of Cheng Li-wun. It argues that Cheng offers nothing new in terms of its identity claims and the 1992 Consensus and questions who is the audience Cheng is speaking to. However, she brings something other leadership candidates did not, personifying the redemption of a generation who she claims is misled by de-Sinicised education.
Written by Choesang Scholer. Despite the pressures of external forces on Indigenous land and domain, Indigenous community members utilise art as a medium for political protest to amplify their concerns when their government fails to do so. This article explores the way in which identity-building expression appears through various forms of art.
Written by Ana Paloma Martínez Gómez. This article explores how Indigenous identity is portrayed on screen and how film supports cultural revitalisation and self-representation through a decolonial and gendered lens. As a new Taiwanese national identity emerges, the gap between official recognition and ongoing cultural marginalisation reveals the complex space Indigenous communities occupy.
