Written by Simon Delpeuch. This article examines Taiwan’s Austronesian diplomacy, highlighting the deep tension between the state’s political exploitation of indigenous heritage to counter diplomatic isolation and a more authentic, community-driven approach. It focuses on the National Museum of Prehistory (NMP) as a vital model of informal, reciprocal museum-indigenous diplomacy. By explicitly abandoning Taiwan-centric “origin” narratives, the NMP fosters genuine regional partnerships, despite facing ongoing constraints from broader state agendas and complex geopolitical pressures.
