Written by GuoTing Lin (Kuing). This work uses digital ethnography to consider how Taiwanese indigenous musicians utilise Facebook as their primary official platform for audience communication. I go about this by analysing cover images, profiles, photos, and feeds on Facebook, which is used to depict the details of the texts, photos, and videos. It thus shows the self-presentation and the communication of Taiwanese indigenous musicians concerning cultural and social issues. Moreover, I argue that indigenous musicians perform their identity through online self-presentation in everyday life.
Written by DJ Hatfield. Over the past ten years, images of Indigenous people have increased both in Taiwan and international representation. Indigenous people appear in depictions of Taiwan’s relationships to Southeast Asia and the Pacific, in promotions of Taiwan as a tourist destination, in discourses of sustainability, and images of environmental protest. In relationship to these representations of Indigenous people, Taiwanese Indigenous contemporary artists maintain an ambivalent footing, aware that current indigenous visibility rearticulates Taipei (here referring broadly to settler power) rather than displacing it.
Written by Tzu-Ming Liu. Due to Taiwan’s geographical location and geological properties, the country is particularly at risk of the impact of climate change. Some apparent phenomena of climate change are that the frequencies of extreme precipitation events. Furthermore, extreme typhoon intensity is increasing. These phenomena have caused giant landslides, extensive landscape changes, and severe casualties across Taiwan. Many of the giant landslides occurred on the lands inhabited by indigenous peoples, and thus they suffer from the most adverse impacts of climate change. Indigenous peoples are, but not the only, climate victims.
Written by Daniel Davies. On June 3rd, 2020 Taiwan Sugar Corporation CEO, Chen Zao-yi, travelled south to Pingtung County for the most recent talks surrounding a proposed 230-hectare solar farm project at Xinchi Farm in Wanluan Township. The green-energy project, which is to be built alongside the No.185 County Road, has been at the centre of sustained protests by local residents due to the planned felling of Taiwan’s largest planted forest. The site of the development is within the 10,815-hectare forest planted in 2002 by the Taiwan Sugar Corporation, using 5.2 billions of dollars of state subsidies, after the contraction of the sugar industry caused by Taiwan joining the WTO.
Written by Ming-sho Ho. Upon winning the re-election in January 2020, Tsai Ing-wen’s Democratic Progressive Party government is set to realise the goal of abolishing nuclear energy by 2025. At the same time, they wish to raise the proportion of green energy in the electricity mix to twenty per cent. While the dream of “nuclear-free homeland” has been championed by Taiwan’s environmentalists for more than three decades, the top-down push for renewable energy has unexpectedly met some opposition from the same camp.