Written by Min-Hua Chiang. This article examines Taiwan’s 2025 growth surge, driven by ICT exports, capital formation, and booming semiconductors, while showing stagnant consumption, rising inequality, inflation, and housing burdens. It argues that concentrated income in tech undermines social cohesion and urges government spending, diversification, and AI-enabled upgrading across lagging industries for sustainable growth ahead.
Written by Carissa Cheng. Despite strong economic growth, Taiwan’s youth face stagnant wages, soaring housing costs, and limited opportunities, prompting many to abandon the DPP for the TPP in 2024. The article argues economic insecurity, party factionalism, and perceptions of elitism drove this shift, and urges the DPP to refocus on youth-centred economic policy, messaging, and reform.
Written by Leona Chen. This article reflects on The Boy from Clearwater, a translated graphic memoir that intertwines Tsai Kun-lin’s life with the author’s own diasporic longing. Through vivid illustrations and intergenerational memory, the graphic novel becomes a conduit for Taiwanese American readers seeking connection, historical understanding, and ancestral intimacy across language, distance, and time.
Written by Chee-Hann Wu. This article shares the rise of Taiwanese BL comics, which increasingly portray ordinary, everyday same-sex relationships without much sexuality-related conflict. These works exemplify comforting, relatable stories that reflect a society where love is simply lived.
Written by I-Yun Lee. This article is an overview that traces Taiwanese comics from Japanese colonial to post-war Taiwan, the rise of rental comics, and the severe censorship that stifled creators from the 1960s to the 1980s. Shaped by colonial importation, market demand, and state control, Taiwan’s comic history emerges as a story of negotiation and constraint.
Written by Isis M. Lee. A landmark exhibition in Prague displays 100 masterpieces from Taiwan’s National Palace Museum — yet Taiwan itself disappears from the story. This erasure reveals how authoritarian pressure increasingly shapes cultural spaces far beyond China’s borders.
