Written by Judy Lee. This article examines how emotions drive community formation among Hongkongers who migrated to Taiwan after 2019. Lee argues that these migrants channel feelings of grief and love for their home city into positive community engagement, cultural production, and education, illustrating how emotion fuels the diaspora.
Written by Yang-Hsun Hou. Through this article, the author examines their position as a Han person in Taiwan, reflecting on how Han settler colonialism is felt, normalised, and tied to systemic racism. The author advocates for recognising colonial structures and listening to Indigenous perspectives to foster accountability and relational healing.
Written by Hsiao-Man Cavalli and Lily Y.H. Lin. This article explores how emotions shape the study of Taiwan’s party politics, examining how researchers’ embodied experiences can deepen understanding of political differences. Through reflections on collaborative research, it highlights how acknowledging emotions fosters more nuanced, inclusive, and relational approaches to conducting and interpreting Taiwan Studies.
Written by Anne Sokolsky. This article examines Taiwan no shōjo (1944), a collection of essays by Taiwanese writer Huang Fengzi, arguing that its emotional language reveals the complexities of colonial identity under Japanese rule. Through an analysis of competing voices and affective expressions, it explores how emotions, power, and cultural belonging shaped both the text and its colonial context.
Written by Po-Han Lee, Alvaro Martinez-Lacabe, and Yu-chin Tseng. This special issue, featuring the co-editors and authors of the recently published edited volume, Feeling Taiwan, explores how emotions shape Taiwan’s politics, history, and everyday life. Drawing on six case studies, it examines how feelings are not separate from knowledge but fundamental to understanding identity, social change, and lived experience, while inviting broader audiences to engage with Taiwan through emotion.
Written by Romain Blachier. This article explores Taiwan’s twenty-year presence at the Festival Off d’Avignon, arguing that international cultural exchange is shaped by language, institutional practices, and artistic selection. It highlights how these factors influence what Taiwanese artists can communicate abroad and emphasises the value of sustained cross-cultural collaboration.
