Written by Chee-Hann Wu. This article reviews Taiwanese performance artist Tehching Hsieh’s 2025 Dia Beacon retrospective, tracing his durational performances that treat the body as a clock, from cages to time-clocking, and reflecting on the exhibition’s embodied, minimalist presentation that collapses art and life, revealing time as both medium and co-performer.
Written by Yi-Ping Wu. This article recounts Taiwan’s 2025 cultural budget cuts amid political turmoil yet highlights the resilience of Taiwan’s theatrical landscape through the Taipei Theatre Awards, the Off-Broadway debut of Don’t Cry, Dancing Girls, the 2025 Expo Osaka initiatives, and the Les Misérables tour in Taipei and Kaohsiung, revealing international ambition despite systemic discrimination against the arts.
Written by Min-Hua Chiang. This article examines Taiwan’s 2025 growth surge, driven by ICT exports, capital formation, and booming semiconductors, while showing stagnant consumption, rising inequality, inflation, and housing burdens. It argues that concentrated income in tech undermines social cohesion and urges government spending, diversification, and AI-enabled upgrading across lagging industries for sustainable growth ahead.
Written by Carissa Cheng. Despite strong economic growth, Taiwan’s youth face stagnant wages, soaring housing costs, and limited opportunities, prompting many to abandon the DPP for the TPP in 2024. The article argues economic insecurity, party factionalism, and perceptions of elitism drove this shift, and urges the DPP to refocus on youth-centred economic policy, messaging, and reform.
Written by Leona Chen. This article reflects on The Boy from Clearwater, a translated graphic memoir that intertwines Tsai Kun-lin’s life with the author’s own diasporic longing. Through vivid illustrations and intergenerational memory, the graphic novel becomes a conduit for Taiwanese American readers seeking connection, historical understanding, and ancestral intimacy across language, distance, and time.
Written by Chee-Hann Wu. This article shares the rise of Taiwanese BL comics, which increasingly portray ordinary, everyday same-sex relationships without much sexuality-related conflict. These works exemplify comforting, relatable stories that reflect a society where love is simply lived.
