Written by Kefei Cao. The author traces her personal and historical journey across the Taiwan Strait, moving from lived encounters to reflections on war, memory, and coexistence. Drawing on Lung Ying-tai and Gilles Deleuze and Félix Guattari, she proposes theatre as a space for reimagining peace beyond binary divisions, where vulnerability, dialogue, and shared humanity become the grounds for fragile yet enduring connection.
Written by Romain Blachier. Taiwan’s energy debate is no longer only about transition targets or electricity costs. It has become a question of how the island sustains itself under pressure. Surging demand from AI, deepening reliance on imported gas, and renewed discussion of nuclear power all point to a system under strain. What is at stake is not just growth, but the conditions that make Taiwan’s political and economic life possible.
Written by Guido Gargiulo. This article describes how Taiwan, under President Lai Ching-te, navigates mounting geopolitical pressures from China while balancing relations with the United States under Donald Trump and the European Union. It explores Taipei’s strategy of bolstering defence, securing trade deals, and expanding diplomatic outreach to deter Beijing and strengthen global partnerships amid growing uncertainty in the Taiwan Strait.
Written by Chuan-kai Lin. This article examines the diverse and often overlooked memories of Taiwan’s White Terror, arguing that postwar political violence cannot be fully understood through competing nationalist narratives. Highlighting neglected experiences reveals the heterogeneity among those affected by authoritarian repression. Recognising these fragmented histories, as the article suggests, can move Taiwan’s memory politics beyond identity-based divisions toward a more inclusive and shared moral understanding of the past.
Written by Meng-Hao Li. The author describes the controversy surrounding the Taiwanese film The Century Bloodshed, inspired by the unresolved 1980 Lin family massacre. Responding to Wim Wenders’ claim that cinema should remain separate from politics, he argues that film inevitably engages with power and memory. Through debates over the film’s genre, his remarks, and the director’s background, the essay explores the ethical limits of representing historical trauma and Taiwan’s ongoing struggle to confront the legacy of the White Terror.
Written by Liao Pin-yen. The author, representing the Taiwan Youth Association for Transitional Justice and Kiong-Seng, illustrates how the GongSheng Music Commemoration, a youth-led initiative in Taiwan, reimagines remembrance of the 228 Incident and the White Terror. Through music, exhibitions, storytelling, and NGO participation, the festival bridges generational distance from authoritarian history, advocates for transitional justice, and demonstrates how cultural activism can sustain public memory and civic engagement in contemporary Taiwan.
