Written By Chin-ju Lin. A Seediq perspective on the uprising and genocide might still be forthcoming and would be welcome as Wei’s movie reopened the historical trauma without the Seediq being ready to see themselves represented in such a compromising way.
Written by Shao-yi Chan. In this respect, the personal, private struggle seems to give way to a social, public conflict that resituates the family as the overarching element in Taiwan’s queer politics.
Written by Terez Vincz The key figure of the second wave of Taiwanese New Cinema, Tsai Ming-liang’s The Walker (2012) consists of twenty-one shots recorded by a fixed camera. This article will
Written by Terez Vincze “I think that our present age is probably the worst time of all to be alive… Living in today’s world is terrible, I’m always
Written by Cecília Mello The films of Tsai Ming-liang have been helping to shape our world cinema landscape since the early 1990s. On one hand, they belong to what
Written by Ming-yeh T. Rawnsley Taiwan New Cinema (TNC) is a cinematic movement that emerged in the 1980s just as democracy was introduced to the island. Its impact cannot be overstated: TNC not only expanded cultural