Written by Yiling Pan. What is the Taiwanese identity in today’s Taiwan Cinema? In 2008, Taiwan’s Cinema began to get back on its feet after an extended lull, with several new directors successively releasing critically acclaimed first works, such as Chung Mong-hong’s Parking, Tom Lin Shu-yu’s Winds of September and Gilles Yang’s Orz Boyz!. However, it took Wei Te-sheng’s debut, Cape No. 7, to become a box-office hit and arouse widespread interest in Taiwanese film. .
Written by Yi Wang. Significant progress and landmark rulings in advancing LGBTQ+ rights have been made across Asia in recent years, though many challenges and obstacles remain. Asians are among the fastest-growing ethnic groups in the UK, but Asian LGBTQ+ communities are not widely represented. Film reflects society and a medium capable of raising awareness amongst audiences in a direct and accessible way. Queer representation in the media is strongly linked to the wider public’s views on LGBTQ+ communities. I founded Queer East to amplify the voices of under-represented queer Asian and diasporic communities.
Interviewed, translated and edited by Isabelle Cheng. On 30 October 2020, the Taiwan Studies Programme hosted a webinar after the online screening of a pilot documentary Nine Shots (槍響之前) directed by Tsai Tsung-lung. This essay is an interview with Tsai about this pilot documentary, which discusses what, if not who, was responsible for the tragic death of Nguyen Quoc Phi. The latter was an undocumented Vietnamese migrant worker who was shot dead by the police, firing nine shots in 12 seconds, on 31 August 2017 in Hsinchu, northern Taiwan.
Written by Milo Hsieh. Alan Yang’s first feature film, Tigertail, recounts the tale of Pin-jui, a Taiwanese immigrant estranged from his family after arriving in New York. The Taiwanese backdrop sets the film apart from The Farewell, which also captured attention with its Asian American immigrant narrative. This has heightened expectations among Taiwanese and diaspora audiences for a film that portrays Taiwan not as a generic East Asian country but one with a unique culture and history.
Written by J. Michael Cole. A long time in the making and after many challenges, a major politico-historical TV drama about Taiwan’s democratization will finally hit TV sets nationwide on 20 January. Based on political developments and figures from the 1990s, “Island Nation” (國際橋牌社) follows the hopes, fears and travails of a wide set of fictional characters in the dramatic years of Taiwan’s transition from an authoritarian state to a democracy.
Written by Catherine Ju-yu Cheng. The critically acclaimed 2014 Taiwanese film Kano, which was produced by Wei Te-Sheng and Jimmy Huang, and directed by Umin Boya, was based on the true story of the meteoric rise of a Japanese colonial-era (1895-1945) Taiwanese baseball team.
