Art – Page 6 – Taiwan Insight

Tminun: Weaving from My Heart as an Indigenous Male

8 February 2023

By Peydang Siyu (Chu, Hao-jie); translated by Huang, Hsing-hua. I am a member of the Truku people; the twelfth officially recognised Indigenous nation in Taiwan. We believe in our ancestors’ spirits (utux rudan) and adhere to their teachings (gaya) throughout our entire lives. Cloth weaving (tminun), similar to facial tattooing (ptasan), is a significant part of Truku culture, and many of our customs are related to it. For example, there is a strict gender division of labour in traditional Truku society, with men hunting and women weaving. Men were prohibited from learning how to weave or even touching the tools. As a male, it wasn’t until 2018 did I dare to learn it. But once I began, I never stopped. It was definitely a dream-come-true journey that I would forever remember.

Weave for an Identity: Learning Indigenous Weaving as a Han Person

7 February 2023

Written by Nai-Wen Chang. It all started from my experience representing Taiwan at an international youth forum in 2010. A section required every participant to introduce one’s country, offering a chance to engage in cultural interactions. It was our turn to present after India, Russia, Germany, the United States, and China. Everything went smoothly until an Indian participant in a dazzling sari raised a question. The Indian representative, out of pure curiosity, asked, “What does your traditional dress look like?” A moment of embarrassed silence filled the air. My senior, the eldest of us, eventually replied, “We don’t wear traditional dress much, but we do have cheongsams.” A Chinese participant immediately countered, “Cheongsam is Chinese dress, not Taiwanese.”

Her journey to the Best Actor award: Taiwanese Opera performer Chen Ya-Lan made the history

6 January 2023 Chee-Hann Wu

Written by Jasmine Yu-Hsing Chen. October 22, 2022, outside the Sun Yat-sen Memorial Hall in Taipei, Taiwanese Opera performer Chen Ya-Lan (陳亞蘭) astonished audience members on the red carpet for the 57th Golden Bell Awards (GBA). This annual award honours excellence in television and radio programs created in Taiwan. As a female performer, Chen broke records with her Best Leading Actor Award nomination.

What Are Taiwanese Comics?

21 November 2022 Adrian Chiu

Written by Adina Zemanek. It can be argued that the above are examples of creativity driven by state-led ideological aspirations, which cannot find a wide readership in Taiwan. However, they are intensively promoted to international audiences and may shape their perception of Taiwanese comics. At the same time, the number of such works and the state-encouraged discussions may ultimately lead to a shift in local audiences’ expectations.

Serendipity: Matsu Islands, Taiwan & Me

29 March 2022

Written by Tammy Yu-Ting Hsieh. It was not until 1949 that the concept of “Matsu” was first established. Before the civil war in China, this group of islands were mostly the seasonal resting stops of fishermen from the south-east shore of China. Residents on the archipelago can clearly see the outline of Fujian, whereas “Taiwan” was an island they hardly knew nor had any relationship with. But suddenly, in 1949, Kuomintang armies arrived at Matsu Islands, and in no time, Matsu became the frontline of the Republic of China, aiming cannons at the opposite bank, a place they used to call “home.” To put it romantically, serendipity is how the “Taiwan-Penghu-Kinmen-Matsu Community” came to be today. And I tend to think that serendipity also guided me, a descendant of Minnan and Hakka from Taoyuan City, to embark on this back-and-forth journey to Matsu since 2020.

Two Young Indigenous Scholars are Promoting Indigenous artists – in Taiwan and Beyond.

28 January 2022

Written by Fanny Caron. Lin and Ismahasan’s academic disciplines and the career path they have chosen to highlight a change in Taiwan Indigenous studies on an international level. These choices enable them to play a part in shifting the discourse on Indigenous Peoples from “objects” of study to active “subjects” of their own (counter-) narrative, supporting their affirmation of Indigeneity and tribal sovereignty.

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