Cinema – Page 2 – Taiwan Insight

Placing Relationship over the Project: Filmmaking in Oceania

22 July 2022

Written by Cheng-Cheng Li. My filmmaking story in Oceania started with the Re/presenting Oceania course at the University of Hawai‘i. My Kumu (professor) Tarcisius Kabutaulake, who comes from the Solomon Islands, has been teaching and researching across the region for decades. His course invites me to critically engage with and discuss how the Pacific Islands have been represented in scholarly and other mediums. He brings me onto the ‘voyage’ across the ‘storyscapes’ of scholars, artists, performers, poets, and filmmakers to understand the politics of representation. This article will first discuss my filmmaking experience in Hawai‘i with the Pacific Island community. In the second section, with an increasing number of Indigenous Taiwanese wishing to connect with Oceania, I will address the interconnection story between Taiwanese Indigenous filmmakers and the Oceanic community. The theme of ‘relationship’ as ‘Priority’ will be interwoven into the stories.

Indigenous/Islander Fanaticism Across the Pacific: A Perspective from Films

19 July 2022

Written by Yawi Yukex; translated by Yi-Yu Lai. A type of Taiwanese is extremely fond of anything about the Indigenous peoples of Taiwan. They are captivated by all the totems and material cultures associated with Indigenous peoples, yet they frequently only believe what they already know about Indigenous cultures. Besides, they usually turn a deaf ear to Indigenous peoples’ enormous burdens and struggles. I call these individuals “Indigenous fanatics.” In the early 2000s, a series of Taiwanese films, such as “The Sage Hunter” (2005) and “Fishing Luck” (2005), portrayed Indigenous communities as shelters for those wishing to escape reality and contrasted cities with the communities. People believe that the expansion of civilisation causes problems, whereas mountains and forests represent the solution.

‘Queer’ Film and Representation at the Taiwanese Box Office: A Post-2019 Post-COVID Sinophone Dialogue

13 June 2022

Written by Elliott Y.N. Cheung. “Queerness is that thing that lets us feel that this world is not enough, that indeed something is missing,” says José Esteban Muñoz. So, if these resisting narratives defy the regulation of an all-encompassing narrative and seek to entice viewers to recognise what is not yet there — might we call them queer? Moreover, if a country that not only enables such views but can actively and constructively engage with them, struggling to hold them in all their difference — might we also call it queer?

From the New Wave to the Present: International Soft Power in Taiwanese Film and Television

16 November 2021 Editor

Written by Brian Hioe. Taiwan may have a long way to go with regards to this before achieving anything like the successes of the Taiwanese New Wave some decades back. This ultimately returns to issues that exist on multiple levels, all the way from within the film industry to government promotion of Taiwanese films.

Le Moulin: An Invitation to Meditate on Taiwanese History by Ya-Li Huang

5 May 2021 Editor

Written by Chun-yi Kuo. From a personal point of view, this essay attempts to shed light on the opening sequence of Huang Ya-Li’s film Le Moulin (2015) by explaining the metaphor of the sequence and the film. I will clarify the history of Taiwan’s cinematographic work, along with that of surrealist poets, and their connection to Taiwan’s national history.

Migrants’ Voice in Taiwanese Documentaries: Narrative, Language and Space

24 April 2021 Editor

Written by Adina Zemanek and Lara Momesso. Since the early 2000s, immigrants from mainland China and Southeast Asia have been an increasingly visible component of Taiwan’s social and public landscape. As such, they have received growing recognition both in terms of legal provisions and in the public discourse. An example of this acknowledgement is the December 2019 issue of Taiwan Panorama, a promotional magazine issued by the Ministry of Foreign Affairs. Half of this issue is dedicated to highlighting migrants’ presence in Taiwan. One of the articles calls for listening to their unique life stories, which would have the transformative effect of understanding the world from a new perspective and dismantling preconceptions about Southeast Asian cultures.

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