Written by Chun-yi Kuo. From a personal point of view, this essay attempts to shed light on the opening sequence of Huang Ya-Li’s film Le Moulin (2015) by explaining the metaphor of the sequence and the film. I will clarify the history of Taiwan’s cinematographic work, along with that of surrealist poets, and their connection to Taiwan’s national history.
Written by Min-Erh Wang. Historical musicologists focus on studying Western classical music written by Western or Western-trained composers, while ethnomusicologists primarily concentrate on traditional and vernacular music research. Against this background, music scholars in Taiwan tend to pay attention to the musical works and composers or the cultures of traditional genres, such as nanguan and the music of aboriginal people, while leaving the reception of Western classical music overlooked. However, from the late nineteenth century onwards, Western classical music has deeply rooted in Taiwan as well as other East Asian countries as part of the modernisation agenda. Furthermore, during the Cold War, Western classical music was adopted by both the US and Soviet Russia to disseminate their influence over Third World countries.
Written by Julien Laporte. Following the closing of Taiwan international borders in the time of the Covid-19 pandemic, the Tao people have seen an unexpectedly high number of visitors on their territory. Since 2020, they have been experiencing the consequences of that overtourism that calls for respectful and sustainable tourism.
Written by GuoTing Lin (Kuing). This work uses digital ethnography to consider how Taiwanese indigenous musicians utilise Facebook as their primary official platform for audience communication. I go about this by analysing cover images, profiles, photos, and feeds on Facebook, which is used to depict the details of the texts, photos, and videos. It thus shows the self-presentation and the communication of Taiwanese indigenous musicians concerning cultural and social issues. Moreover, I argue that indigenous musicians perform their identity through online self-presentation in everyday life.
Written by DJ Hatfield. Over the past ten years, images of Indigenous people have increased both in Taiwan and international representation. Indigenous people appear in depictions of Taiwan’s relationships to Southeast Asia and the Pacific, in promotions of Taiwan as a tourist destination, in discourses of sustainability, and images of environmental protest. In relationship to these representations of Indigenous people, Taiwanese Indigenous contemporary artists maintain an ambivalent footing, aware that current indigenous visibility rearticulates Taipei (here referring broadly to settler power) rather than displacing it.
Written by Sandrine Marchand. In Taiwan, 1945 marks the end of the Japanese colonisation. For many Taiwanese intellectuals and writers, it also means the abandonment of the Japanese language for Mandarin. But a language cannot be erased as quickly as architecture or other material goods. The language of childhood – the language of education – stubbornly persists. After this initial silent period, in the 1970’s – thanks to the Nativist movement – there has been a revaluation of pre-war Taiwanese writers gathered under the appellation of “a translingual generation” as they emerged from the shadows.
Written by Dominika Remžová. Despite the recent 228 Incident commemoration, along with the latest exonerations of White Terror political victims, the lack of retributive justice from criminal trials or other perpetrator-focused measures remains the case in Taiwan. In fact, the legality of the only perpetrator-focused act related to the KMT’s party assets has been continually contested by the party, despite the ruling of the Council of Grand Justices that upheld the constitutionality of the act’s provisions. A similar lack of retributive justice occurred in another country with a recent authoritarian past, Slovakia
Written by Simona A. Grano & Helena Y.W. Wu. On January 2, 2019, Xi Jinping held a speech to commemorate the famous “Letter to Compatriots in Taiwan” of 1979. In this letter, he defined unification across the Taiwan Strait as “the great trend of history.” He also warned that attempts to facilitate Taiwan’s independence would be met by force. Not only this, but he also called for “unification under the ‘one country, two systems’ formula.”
Written by Adina Zemanek and Lara Momesso. Since the early 2000s, immigrants from mainland China and Southeast Asia have been an increasingly visible component of Taiwan’s social and public landscape. As such, they have received growing recognition both in terms of legal provisions and in the public discourse. An example of this acknowledgement is the December 2019 issue of Taiwan Panorama, a promotional magazine issued by the Ministry of Foreign Affairs. Half of this issue is dedicated to highlighting migrants’ presence in Taiwan. One of the articles calls for listening to their unique life stories, which would have the transformative effect of understanding the world from a new perspective and dismantling preconceptions about Southeast Asian cultures.
Written by Frédéric Krumbein. The European Union has the densest integration region globally, whereas current trends in cross-strait relations point to a further divide between both sides. Despite noticeable significant differences between the European Union and cross-strait relations, theories of European integration provide a useful framework to analyse the past, present, and future of relations between Taiwan and the Chinese mainland. Four major theories of regional integration that were developed for or applied to the European integration process will be used to analyse cross-strait relations: neofunctionalism, historical institutionalism, liberal intergovernmentalism, and postfunctionalism.
Written by Ratih Kabinawa. Drawing from Risse-Kappen’s seminal book and his framework of domestic and international structures, this article explains Taiwan’s long-standing engagement with non-state actors in promoting its foreign policy objectives in Southeast Asia via a case study of the New Southbound Policy (NSP). After enjoying some success in maintaining semi-official contacts with Southeast Asian countries during the cross-Strait relation détente, the election of Tsai Ing-wen compelled Taiwan to bring transnational relations back into its foreign policy. In 2016, Taiwan’s newly elected president, Tsai Ing-wen, introduced a foreign policy flagship that stressed the essential role of people-to-people diplomacy in promoting Taiwan’s foreign policy objectives in Southeast Asia.
Written by Tsaiying Lu. “Go Nuclear to go green.” Under this catchphrase, during Taiwan’s 2018 referendum, pro-nuclear activists have successfully framed green energy as “unstable” and “unmatured” electricity-generating technology. They proposed to abolish Section 1 of Article 95 of the Electricity Act, which states terminating all nuclear power plants by 2025, was passed with a 40.27% approval. The result is a significant setback not only to President Tsai Ing-Wen’s (2016-2024) energy policy, “Nuclear-Free Homeland by 2025,” but also to offshore wind energy’s (OWE) development.
