Written by Ana Paloma Martínez Gómez. This article explores how Indigenous identity is portrayed on screen and how film supports cultural revitalisation and self-representation through a decolonial and gendered lens. As a new Taiwanese national identity emerges, the gap between official recognition and ongoing cultural marginalisation reveals the complex space Indigenous communities occupy.
Written by Adrienne Wu and Yuchen Lee. The article discusses the impact of budget cuts to Taiwan’s Ministry of Culture. These cuts, including major reductions to media promotion, threaten Taiwan’s cultural industries, limit international outreach, and undermine the country’s ability to counter Beijing’s media influence.
Written by Wu Chieh-Hsiang. This article discusses the potential consequences of budget cuts to Taiwan’s Ministry of Culture. It explores concerns about censorship and repression due to these cuts, as well as the impact on cultural institutions and freedom of expression.
Written by I-Lin Liu. This article provides a critical analysis of the Oscar-nominated short documentary Island in Between, asking who the film is for and what lies beyond the representations. The author traces the history of when and how nonfiction films became a medium for intercultural communication, which resonates with the director’s experiences and goals for the film. Despite the film’s deliberate distance from forms of government-produced propaganda, connections can still be seen, particularly that government-sponsored or produced films, in fact, dwindled from the Best Documentary Short Film category decades after its establishment. In addition, the depiction of Kinmanese in the film, in conversation with national identities and boundaries, remains contested through the director’s lens.
Written by An-Ru Chu. This article explores the performative nature of the cannon drill demonstration at the Shishan (Mt. Lion) Howitzer Front, a popular tourist attraction in Kinmen, in conversation with Island in Between. Unlike the drill or military-related actions performed at other sites, the cannon drill at Kinmen is unique in that it is not performed by soldiers, but exclusively by performers. In addition, the multilayered identities of the performers further complicate people’s engagement with a contested land like Kinmen. The author traces the history of such a performance and argues its linearity in conversation with Kinmen’s Cold War memories.
Written by Shawna Yang Ryan and Gerrit van der Wees. During the past weeks, a new documentary about Taiwan, Invisible Nation, has been making the rounds at various film festivals in the United States and Europe, including the International Documentary Film Festival Amsterdam on November 14-18, 2023. Invisible Nation is the work of Vanessa Hope, who built up the film around the everyday life of President Tsai Ing-wen, in the process creating a fascinating picture of how the low-key President is ably leading Taiwan towards a better future.
Taiwan Insight 