The coming of an overseas Hongkonger identity and Taiwan-Hong Kong connection: Reflection on the Legacy of the Umbrella Movement

Wriiten by Desmond Hok-Man Sham. The Umbrella Movement did not just construct the identity of local Hong Kongers but also overseas Hong Kongers, where Taiwan plays an important role in that process. This article reflects on how the identity was constructed overseas through diaspora mobilisation and activism and the future of Taiwan-Hong Kong connections.

The Sunflower and Umbrella Movements: Ten Years On

Written by Adrian Chiu. This special issue presents a brilliant line-up of scholars and observers of the two movements which provides insights and perspectives to analyse and reflect on the tenth anniversary of the Sunflower and Umbrella Movements. This introductory piece briefly sets the scene for their excellent analysis by reviewing some of the significant political changes both internationally and domestically.

Voices Lost Between the Frames: On Island in Between

Written by I-Lin Liu. This article provides a critical analysis of the Oscar-nominated short documentary Island in Between, asking who the film is for and what lies beyond the representations. The author traces the history of when and how nonfiction films became a medium for intercultural communication, which resonates with the director’s experiences and goals for the film. Despite the film’s deliberate distance from forms of government-produced propaganda, connections can still be seen, particularly that government-sponsored or produced films, in fact, dwindled from the Best Documentary Short Film category decades after its establishment. In addition, the depiction of Kinmanese in the film, in conversation with national identities and boundaries, remains contested through the director’s lens.

Island in Between: An Eternal Frontier? 

Written by Chee-Hann Wu. This article argues that the Oscar-nominated short documentary Island in Between highlights the liminality and in-betweenness of both the island of Kinmen and the director’s diasporic identity. Rather than emphasizing its geopolitical significance and constant military presence, the short documentary focuses on the director’s personal journey and narrative, growing up in both Taiwan and the US, moving back to Taiwan in 2017, and during the COVID-19 pandemic, being drawn to Kinmen where his father served in the military. Through the director, the audience sees how he re-experiences Kinmen as a way to reconnect with a part of his identity, and is also able to reimagine Kinmen’s past and present.

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