Category: Music

(Re)Writing Taiwan Studies History​

Written by Yu-Han Huang and Li-Ting Chang. This article is about the 30th NATSA Conference’s closing forum, which discussed the historical development of Taiwan Studies as a field, particularly emphasizing its interdisciplinary nature and growing significance in global scholarship. The forum featured four experts who presented their perspectives on Taiwan studies, exploring its evolution through various disciplines such as history, anthropology, ethnomusicology, and medical history. It highlighted the increasing importance of understanding Taiwan within a global context, emphasizing the need to connect its history and experiences with broader international dialogues and discussions.

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Toward Antiracist Taiwan: A Short Fieldnote in Studying Racism through Punk and Metal Musical Performances by Indonesian Migrant Workers 

Written by Mark Hsiang-Yu Feng. Drawing on field notes on punk and metal musical performances by Indonesian migrant workers in Taiwan, this article reveals racism and stereotypes in the music scene. The author calls for a critical examination of multiculturalism to address the structural inequality and racial hierarchy in Taiwanese society.

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Beyond Mayday’s Lip-synching Investigation: Taiwan’s Music Freedom Questioned Under PRC Influences 

Written by Chen-yu Lin. On December 28, 2023, Reuters and CNN​ reported a disconcerting incident involving Mayday, a Taiwanese rock band, who found themselves entangled in a request from Chinese authorities to make pro-Beijing statements. As reported by CNN, the authorities demanded a public statement affirming the unity of China and Taiwan as a single nation. The band’s refusal to comply resulted in consequences related to alleged lip-synching, which is referred to as “deceptive singing (假唱)” in Chinese. This accusation carries the potential for fines or even performance bans under Chinese law. These developments stemmed from their December concert in Shanghai and are potentially connected to Taiwan’s presidential election in January 2024, prompting an ongoing investigation.​ 

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Reflections on the Identity at Indigenous Popular Music Training Camp in Taiwan 

Written by Kuing, Guo-Ting Lin. In recent years, there have been various Indigenous popular music creation and cultivation programmes in Taiwan. For example, the music training camp “Psiwali School” at the Pasiwali Music Festival in Taiwan with the purpose of discovering Indigenous musicians. Another example is the “MINETJUS Electronic Music Production” Programme, which is held by Dark Paradise Records (派樂黛唱片), an independent record label based in Taipei. This initiative blends electronic music and Indigenous culture to help younger musicians turn cultural marginality into unique cultural assets. Most training camps in Taiwan still rely on government support, aiming to strengthen the unique cultural identity of contemporary Indigenous youth and regard this as a catalyst for promoting ethnic diversity. This article examines the meaning of Taiwan’s Indigenous popular music creation and cultivation programmes.

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The Search for a Shared Script: A Very Brief History of Writing Lyrics in Taiwanese 

Written by Cheng-Ting Wu. Imagine you are trying to write a song in Taiwanese Southern Min (hereinafter “Taiwanese”). After creating a soulful melody and heartfelt lyrics, you wonder: How should I write them down? You can choose any of the music notations you prefer for melody, from staff to numbered system. For lyrics, regardless of whether you are a native speaker or a learner of Taiwanese, you also have a choice. This brief article discusses this choice or the different strategies in the history of writing music in Taiwanese.

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