Culture and society – Page 16

Indigenous Disaster Justice: Reflecting on Typhoon Morakot Recovery

16 October 2023 Yu-Chen

Written by Yi-Te Yu. In the past two decades, Taiwan has endured two major disasters: the 921 Earthquake in 1999 and Typhoon Morakot in 2009. Both events resulted in immense loss of life and property. The Indigenous regions of Taiwan, in particular, have borne the enduring impact that is yet to see a complete recovery. Taking Typhoon Morakot in 2009 as an example, during its onslaught in Taiwan, it unleashed a record-breaking deluge of rain. This led to a large-scale landslide in Mt. Xiandu(獻肚) in Jiaxian District, Kaohsiung, burying the village Xiaolin beneath a deluge of soil and debris. Moreover, this catastrophe also inflicted the mountainous Indigenous communities in the central and southern regions of Taiwan, including Chiayi, Kaohsiung, Pingtung, and Taitung counties, with the onslaught of floods, landslides, and debris flows. In total, it resulted in 678 fatalities and 33 injuries.

Tracing Disaster Injustice: Indigenous Peoples’ Vulnerability and Resilience in Taiwan

13 October 2023 Yu-Chen

Written by Yu-Chen Chuang. In August 2023, Typhoon Khanun swept across Taiwan, particularly impacting the mountainous regions of central Taiwan. The resultant severe floods and landslides caused significant damage to infrastructure and disrupted the livelihood of local residents. One of the most severely affected areas was Renai Township in Nantou County, which is home to several Indigenous communities. The damages caused by Typhoon Khanun demanded significant labour and financial resources from Indigenous communities to manage the lengthy post-disaster reconstruction. This special issue, titled ‘Indigenous Peoples and Disaster Justice,’ will feature contributions from scholars and practitioners deeply involved in Indigenous-centered disaster management in Taiwan. We hope to foster discussions about the past, present, and future of disaster management, with a particular focus on addressing colonial injustice.

Under The Radar: How Taiwan Compares to Sexism in the East

9 October 2023 Adrian Chiu

Written by Zoe Parrott. There is no doubt that, as three examples of major developed East Asian countries, Japan, South Korea, and Hong Kong are able to boast of countless laudable achievements. Furthermore, compared to other countries, all of these nations have impressive Human Development Indexes, ranking higher than the United States. However, there is one aspect of each of these nations that often flies under the radar – the infamous gender inequity these nations are characterised by. For concrete examples, look no further than DJSoda, who was sexually assaulted during her show in Osaka, Johnny Kitagawa, who, for decades, dangled “the price of stardom” as an explanation for his sexual abuse, and the four undergraduates who were sexually harassed and/or raped by their older 28-year-old peer at the Education University of Hong Kong. However, there seems to be one outlier among its peers – Taiwan, otherwise known as the Republic of China.

An Unconventional Networking Workshop: Self-care, Wellness and Community

2 October 2023 Chee-Hann Wu

Written by Yung-Ying Chang. In 2021, amid the global pandemic and the sheer transformation of lives that followed, the North American Taiwan Studies Association’s (NATSA) annual conference launched its first-ever mental health-centred networking session, “Networking? Or Working on Your Net: Care Companions & Love Objects for Mental Health.” The unconventional session invited participants to use the time during an academic conference to work on something that was not purely academic: participants shared their life setbacks and frustrations not only in academia as scholars but also in life as the various roles they have assumed in response to various expectations.

Indigenous Taiwan through Critical Lenses: Comparative and Place-Based Perspectives

29 September 2023 Chee-Hann Wu

Written by Yi-Yang Cheng, Ssu-Chieh Jessica Fan and Susan Hou. Centring on Indigeneity in Taiwan, the interdisciplinary roundtable “Indigenous Taiwan through Critical Lenses: Comparative and Place-Based Perspectives” conceptualized Taiwan as a grounding point for multiple geographical perspectives. Instead of positioning Taiwan as a boundary object between the East and the West, it prompted a fresh envisioning and repositioning of Taiwan as a liminal space of unbounded and interconnected possibilities. Put differently, the roundtable discussions explored alternative ways of positioning Taiwan in/and the world, including perspectives which might have previously been marginalized or eluded consideration.

Beyond Books: Taiwanese Stories in the World

27 September 2023 Chee-Hann Wu

Written by Ssu-Chieh Jessica Fan and Cheng-Ting Wu. In recent years, Taiwan literature has experienced a surge in visibility and recognition within the global cultural community. To explore the border-crossing potential of Taiwanese stories, the planning team of the NATSA 2023 conference organized a special event, creating a lively platform for discussing the circulation and reception of Taiwanese fiction and non-fiction works in the international book market and academia.

NATSA: Repositioning Taiwan

22 September 2023 Chee-Hann Wu

Written by Chee-Hann Wu. The North American Taiwan Studies Association (NATSA) is a registered nonprofit organization and the largest scholarly association dedicated to Taiwan Studies in the United States and Canada. It was founded in 1994 when Taiwan Studies became a booming field of research that attracted international attention during the 1990s, a period of rapid political, economic, social, and cultural change in Taiwan. The growing academic interest in Taiwan called for a regular and interdisciplinary academic forum. To establish such a forum, the North American Taiwan Studies Association’s constitution was drafted and ratified at the first annual conference at Yale University in June 1994.

Reflections on the Identity at Indigenous Popular Music Training Camp in Taiwan

20 September 2023 Yu-Chen

Written by Kuing, Guo-Ting Lin. In recent years, there have been various Indigenous popular music creation and cultivation programmes in Taiwan. For example, the music training camp “Psiwali School” at the Pasiwali Music Festival in Taiwan with the purpose of discovering Indigenous musicians. Another example is the “MINETJUS Electronic Music Production” Programme, which is held by Dark Paradise Records (派樂黛唱片), an independent record label based in Taipei. This initiative blends electronic music and Indigenous culture to help younger musicians turn cultural marginality into unique cultural assets. Most training camps in Taiwan still rely on government support, aiming to strengthen the unique cultural identity of contemporary Indigenous youth and regard this as a catalyst for promoting ethnic diversity. This article examines the meaning of Taiwan’s Indigenous popular music creation and cultivation programmes.

The Search for a Shared Script: A Very Brief History of Writing Lyrics in Taiwanese

18 September 2023 Yu-Chen

Written by Cheng-Ting Wu. Imagine you are trying to write a song in Taiwanese Southern Min (hereinafter “Taiwanese”). After creating a soulful melody and heartfelt lyrics, you wonder: How should I write them down? You can choose any of the music notations you prefer for melody, from staff to numbered system. For lyrics, regardless of whether you are a native speaker or a learner of Taiwanese, you also have a choice. This brief article discusses this choice or the different strategies in the history of writing music in Taiwanese.

Hoklo Rap and Taiwanese Resistance Vernaculars

15 September 2023 Yu-Chen

Written by Meredith Schweig. Since the end of the 1980s, when rap music first took root in urban Taiwan, artists have explored the creative possibilities inherent to rhyming in the multiple languages spoken on the island. Early commercial pop-oriented performers like Yu Chengqing tended to rap in Mandarin; acts primarily associated with the underground folk and rock scenes, like Blacklist Workshop and Jutoupi, performed almost exclusively in Hoklo; and American-born Taiwanese teen sensations the LA Boyz peppered their Mandarin and Hoklo verses with English.

Indigenous popular music and language revitalisation in Taiwan

13 September 2023 Yu-Chen

Written by Karen Huang. In 2020, Paiwan singer Abao (阿爆) became an overnight sensation at the 31st Golden Melody Awards (GMA) when her Paiwan album ‘Kinakaian MOTHER TONGUE’ brought home multiple major awards, including the ‘Album of the Year’ and ‘Song of the Year’. The awards surprised many, as Mandarin popular music usually dominates these two cross-language categories. It was the first time an Indigenous-language singer had won both categories simultaneously.

Taiwanese Horror Games and the Ghosts from the Past

4 September 2023 Chee-Hann Wu

Written by Chee-Hann Wu. Taiwanese horror (taishi kongbu) is a rising genre that has claimed an important space in Taiwanese popular culture, particularly in the video game industry since the debut of Detention in 2017. These video games often incorporate elements of Taiwan’s local religions, ritual practices, and mythologies, especially the ones associated with ghosts and other supernatural beings. Although mostly implicit, many Taiwanese horror games contain hints of historical references to the 228 Incident and the White Terror under Martial Law. Malevolent monsters and ghosts become physical incarnations of state-sanctioned violence by perpetrators and accomplices and the suffering of those who were arrested, executed, or silenced.

« 1 … 14 15 16 17 18 … 55 »