Written by Fang-Chang Kuo. The article examines how the CPBL transformed from a sport-centred league into an entertainment-driven spectacle, fuelled by celebrity cheerleaders like Lee Da-Hye. It argues that entertainment talent can rival superstar athletes in driving attendance, while highlighting how branding, social media, and novelty increasingly shape modern sports economics and fan culture.
Written by Daniel Yu-Kuei Sun, Jou Fei Huang and Thung-Hong Lin. The article examines how international baseball success influences national identity in Taiwan. Using polling data from the 2024 Premier12 tournament, the authors argue that key victories strengthened exclusive Taiwanese identity while reducing dual Taiwanese-Chinese identification. However, identity shifts varied by opponent and political affiliation, revealing the contingent, emotional, and contested nature of Taiwanese nationhood.
Written by Jerry Chen. This article argues that myths surrounding youth baseball success and the “Chinese Taipei” designation obscure Taiwan’s complex history, while limiting global understanding of Taiwanese baseball and its evolving national identity.
Written by Su-Mei Lo. This article illustrates how collaborative curatorial practice transforms museums from static repositories into dynamic arenas of indigenous recovery and knowledge translation. By engaging Amis communities from ’Atolan to Keelung, these projects navigate sociopolitical friction and dismantle the rigid dualism separating ancestral hometowns from urban migrant spaces.
Written by Michel Lee. This article explores “Ki cacepeliw,” a three-year collaborative project between Sweden’s National Museums of World Culture, the National Taiwan Museum, and the Southern Paiwan community of Shizi Township. By centring on the century-old Nakahara collection at Stockholm’s Museum of Ethnography, the initiative embraces shared stewardship to reconnect descendants with their heritage. Culminating in a landmark 2025–2026 homecoming exhibition, the collaboration has breathed new life into Paiwan cultural identity, inspiring local artisans to revive and recreate long-lost traditional crafts and instruments.
Written by Tzu-Ning Li. Shifting from studying Indigenous peoples to actively collaborating with them, museums have initiated emotionally charged “objects returning home” projects. The author demonstrates that ancestral artefacts are not passive specimens but active extensions of kinship and spirit. Ultimately, collaboration is framed as a slow, relational practice that challenges institutional authority and transforms museums into spaces for dynamic dialogue and historical justice.
