Written by Wei-chi Chen. This article explores the terms “Black Cat” and “Black Dog” in colonial Taiwan during the 1920s and 30s. These terms, originating from a Taiwanese opera song, were used to translate the Japanese “moga” and “mobo,” describing emerging gender identities and a new social identity in modern urban culture. They also reflected a shift towards liberation and a contrast with existing gender norms at that time.
Written by Yi-Ping Wu. The 2024 Taiwan Theatre Report analyses the trends in Taiwan’s theatre scene, highlighting the rising popularity of musicals and comedy while addressing the impact of the #MeToo movement. Finally, the government’s launch of the Taipei Theatre Awards signals institutional support, even as the industry faces challenges balancing commercial success with artistic and social responsibility.
Written by Chee-Hann Wu. his article examines the participation of K-pop fans in Taiwan’s new wave of the Bluebird Movement since December 2024, demonstrating how transnational fandom culture can intersect with social activism and serve as a vehicle for resisting perceived threats to democracy and personal freedoms.
Written by Mark G. Murphy. This article is presented in two parts. The first part was published on 19th November. In this second part, we explore the relationship between cultivation and rootedness in video games by examining how different cultural traditions shape narrative approaches to spiritual development.
Written by Mark G. Murphy. This article explores how Taiwan’s video games use wuxia mythology to build cultural identity and soft power. The games weave local legends with historical events, focusing on themes of resistance, spiritual growth, and rootedness. The author argues that the practice of “cultivation” – developing inner strength – should be interpreted broadly, linking it to Taiwan’s cultural memory and landscapes. This allows players to engage deeply with Taiwanese culture, blending myth and real-world settings to reinforce collective identity and memory. Importantly, this means soft power becomes a kind of internal power, a key principle in wuxia philosophy.
Written by Chee-Hann Wu. This article centres on the popular topic of discussion on Taiwan’s lack of AAA games. It argues the necessity of such questions. Rather than focusing on the absence of AAA titles, the conversation should shift towards supporting and promoting the existing strengths of Taiwan’s game industry.
