Hoklo Rap and Taiwanese Resistance Vernaculars 

Written by Meredith Schweig. Since the end of the 1980s, when rap music first took root in urban Taiwan, artists have explored the creative possibilities inherent to rhyming in the multiple languages spoken on the island. Early commercial pop-oriented performers like Yu Chengqing tended to rap in Mandarin; acts primarily associated with the underground folk and rock scenes, like Blacklist Workshop and Jutoupi, performed almost exclusively in Hoklo; and American-born Taiwanese teen sensations the LA Boyz peppered their Mandarin and Hoklo verses with English.

Indigenous popular music and language revitalisation in Taiwan 

Written by Karen Huang. In 2020, Paiwan singer Abao (阿爆) became an overnight sensation at the 31st Golden Melody Awards (GMA) when her Paiwan album ‘Kinakaian MOTHER TONGUE’ brought home multiple major awards, including the ‘Album of the Year’ and ‘Song of the Year’. The awards surprised many, as Mandarin popular music usually dominates these two cross-language categories. It was the first time an Indigenous-language singer had won both categories simultaneously.

Taiwanese Horror Games and the Ghosts from the Past

Written by Chee-Hann Wu. Taiwanese horror (taishi kongbu) is a rising genre that has claimed an important space in Taiwanese popular culture, particularly in the video game industry since the debut of Detention in 2017. These video games often incorporate elements of Taiwan’s local religions, ritual practices, and mythologies, especially the ones associated with ghosts and other supernatural beings. Although mostly implicit, many Taiwanese horror games contain hints of historical references to the 228 Incident and the White Terror under Martial Law. Malevolent monsters and ghosts become physical incarnations of state-sanctioned violence by perpetrators and accomplices and the suffering of those who were arrested, executed, or silenced. 

How Much Money Could Ghosts Make? A Case Study on the Most Ferocious Female Ghost of Taiwan – Chen Shou Niang  

Written by Yi-Ping Wu. Staying at home, not going to the beach, or climbing mountains, and not even opening an umbrella indoors are just a few taboos everyone must remember when Ghost Month 鬼月 arrives. Although the origin of the concept of Ghost Month is uncertain, the Taiwanese still emphasize the rituals that must be practised and the taboos that must be prohibited during this period. What attracts our attention most is the colossal amount of money that the Taiwanese pay for the rituals, offerings, and joss paper (paper money) to honour their ancestors because their past loved ones could return to the world of living since the gate of the underworld would open on the first day of July on the lunar calendar. The huge income that the cultural concept of Ghost Month contributes reminds us of an interesting question to think about thoroughly: How much money the “ghosts” could make?

Han-Heterosexual-Male Supremacy across the Pacific? A Critique of The Taiwanese Reminiscence Acrobatic Show

Written by Mark Hsiang-Yu Feng. Busy as usual was Highway number eighty, but Mother’s Day made downtown San Jose unexpectedly quiet. However, in front of the California Theatre, lively chat sounded out of the silence, marking this celebratory moment for the twentieth anniversary of the Taiwanese American Center of Northern California during Asian and Pacific Islander heritage month. Families came to fill most of the seats, and three languages—Hoklo Taiwanese, Taiwanese Mandarin, and English—were spoken to express the identity of these participants. To honour the culture of Taiwanese and Taiwanese Americans, the overall narrative of Taiwanese Reminiscence contextualises a mixture of stunts, acrobatic movements, and dance into a condensed representation of the twentieth history of Taiwan.

Leveraging Cultural Exports for Resilience: Insights from Taiwan and South Korea

Written by Tommy Hall and Margaret Siu. Global discussions about Taiwan often focus on an invasion scenario, and many observers wonder if Taiwan is adequately preparing for war. These discussions often dissect Taiwan’s hard power—military and economic factors that may dissuade Beijing. However, soft power is crucial in conflicts between imbalanced parties. Current discussion would benefit from diversifying outside hard power calculations and examining Taiwan’s soft power. Taiwan should apply lessons from South Korea’s model to bolster its ability to co-opt global support. Describing Taiwan’s soft power vision and comparing both nations’ top-down cultural promotion efforts is helpful.

1 … 3 4 5 6 7 … 11