Kuroshio Odyssey: Bridging Cultures and Hearts Across Continents 

Written by Ellen Y. Chang. The Taiwan Studies Arts & Culture Program at the University of Washington (UW) proudly presents Kuroshio Odyssey: Maritime Memories, Culture, and Landscapes. This initiative celebrates the rich Indigenous cultures of Taiwan and underscores their profound ties to the Pacific Northwest. It features a multi-sited exhibition at the Burke Museum and the UW Tateuchi East Asia Library, an online display hosted by Taiwan’s Indigenous Peoples Cultural Development Centre, and a series of family-friendly events. With four curators—Zuzule Demalalade, Nikal Kabala’an (Margaret Yun-Pu Tu), Jiun-Yu Liu, and Tien-Li Schneider—representing diverse ethnic backgrounds and possessing unique socio-cultural and institutional expertise, the program embraces a multitude of perspectives. Their partnership extends beyond borders, connecting Taiwan to the Pacific Northwest.

For Molecular Archipelagic Thinking

It is a privilege to present this insightful piece ‘For Molecular Archipelagic Thinking’ from Professor Chun-Mei Chuang, a respected figure in the field of Sociology from Soochow University, Taipei. Professor Chuang’s work is marked by her interests in feminist theories, postcolonial discourse, ecology, and animal studies. In this contribution, she graciously shares her experiences and reflections on teaching sociology in Taiwan, providing a rare glimpse into her unique approach and the broader sociological landscape in Taiwan.Chun-Mei Chuang is a Professor in the Department of Sociology at Soochow University in Taipei, Taiwan. Her research interests include feminist theories, postcolonial discourse, ecology and animal studies.

Colonial Nostalgia and the Delegitimisation of Pro-democracy Forces in Hong Kong and Taiwan

Written by Zeng Ee Liew. The term ‘colonial nostalgia’, or 戀殖 (lian zhi), has appeared more and more since the 2000s in the discourse used by Mainland China to describe the politicians or activists who advocate for democracy or even independence in both Taiwan and Hong Kong. Very often, those democracy or independence activists will be described as ‘traitors’ who still harbour lingering love or affection and pander to the former Western or Japanese colonial power and fail to show full patriotic love to the motherland. The use of such discourse can be seen from the lens of a broader effort by the Chinese government to delegitimise those pro-democracy activists, which will be explored further in this article.

Han-Heterosexual-Male Supremacy across the Pacific? A Critique of The Taiwanese Reminiscence Acrobatic Show

Written by Mark Hsiang-Yu Feng. Busy as usual was Highway number eighty, but Mother’s Day made downtown San Jose unexpectedly quiet. However, in front of the California Theatre, lively chat sounded out of the silence, marking this celebratory moment for the twentieth anniversary of the Taiwanese American Center of Northern California during Asian and Pacific Islander heritage month. Families came to fill most of the seats, and three languages—Hoklo Taiwanese, Taiwanese Mandarin, and English—were spoken to express the identity of these participants. To honour the culture of Taiwanese and Taiwanese Americans, the overall narrative of Taiwanese Reminiscence contextualises a mixture of stunts, acrobatic movements, and dance into a condensed representation of the twentieth history of Taiwan.

Triangulating the Taiwanese Spirit in Southern California: Colonial Hauntings at the 228 Commemorative Concert

Written by Chun Chia Tai. In February, I saw a text message in a Taiwanese group chat promoting a concert commemorating the 228 massacre caused by the Kuomintang dictatorship in Taiwan on February 28th, 1947. The concert was called The Spiritual Day of Taiwan: 2-28 76th Commemorative Concert and was hosted by two Taiwanese American organisations: the Taiwanese United Foundation and the Taiwan Elite Alliance, since 2007. The performers were mainly Taiwanese. Many of them were not professionals but members of local Taiwanese church choirs. Most of the audience was familiar with the songs being performed; therefore, they sang along with the performers.

Reflecting on the Laguna Woods Shooting Tragedy: One Year Later

Written by Wayne Huang. On May 15, 2022, a fatal shooting occurred at the Irvine Taiwanese Presbyterian Church in Laguna Woods, California. During a lunch reception, the gunman locked the doors and opened fire with approximately a hundred people present. The church has been recognised for its significant role in Taiwan’s democratisation and independence movements since the 1970s. It has led to the suspicion that this historical connection motivated the assailant to travel over a hundred miles from Las Vegas to target the church. The shooting resulted in six individuals being shot, including Dr John Cheng, who lost his life while attempting to disarm the gunman. 

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