Written by Eloise Phillips. This article examines the 2025 Taiwan–Guam cultural exchange, led by Taiwan’s National Museum of Prehistory, which wove song, canoe building, and shared practices into island diplomacy. Through workshops, performances, and informal encounters, the program connected Austronesian communities across the Pacific, highlighting resilience, mutual reclamation, and living traditions of cultural practice, language, and art.
Written by Carlos Francisco Torres Morales. Using an alliance framework, this commentary argues that Tokyo and Seoul’s reluctance to convey support to Taipei publicly stems from strategic caution, since this could provoke the undesired effects they would seek to deter by extending clear security assurances, but also to retain flexibility in their redefining their stances vis-à-vis Taiwan (and China).
Written by Peter (Hung-Yao) Chu. This article explores the development of UK-Taiwan relations since the Tsai Ing-wen administration until the current William Lai administration. It suggests that Brexit and China’s increasing assertiveness serve as two of the most important factors that contribute to the UK’s reassessment of its approach toward the Indo-Pacific and Taiwan.
Written by Carlotta Rose Busetto. This article examines Tsai Ing-wen’s fashion in her two successful presidential campaigns and how posting certain outfits online increased her electability. It finds that clothes matter in Taiwan and Tsai was not free to wear what she wanted. Moreover, clothes matter more than gender because Tsai also utilised them to promote her own political agenda.
Written by Annabel Simpson. Over the summer of 2022, reports of people being trafficked from overseas and being forced to work scamming others in Southeast Asia began to make their way into Western media. This article explores how Taiwan’s lack of international recognition impacts the assistance it can provide to Taiwanese victims trapped in these scam compounds.
Written by Ana Paloma Martínez Gómez. This article explores how Indigenous identity is portrayed on screen and how film supports cultural revitalisation and self-representation through a decolonial and gendered lens. As a new Taiwanese national identity emerges, the gap between official recognition and ongoing cultural marginalisation reveals the complex space Indigenous communities occupy.
