Written by Tsai Min-Ying. This article puts Taiwanese artist Li Li-chung and Japanese artist Kota Takeuchi in dialogue through their representations of WWII aerial warfare. The author reads their two video works side by side, revealing how artists from Taiwan and Japan each remember and reflect on war, contrasting a colonial view with an imperial view in their differing concerns about aerial warfare and challenging dominant historical narratives. Their nonhuman perspectives expose war’s perceptual violence while demonstrating art’s power to preserve memory and resist future violence.
