Two Bird’s-Eye Views: The Historical Interstices of WWII in Contemporary Taiwanese and Japanese Art

Written by Tsai Min-Ying. This article puts Taiwanese artist Li Li-chung and Japanese artist Kota Takeuchi in dialogue through their representations of WWII aerial warfare. The author reads their two video works side by side, revealing how artists from Taiwan and Japan each remember and reflect on war, contrasting a colonial view with an imperial view in their differing concerns about aerial warfare and challenging dominant historical narratives. Their nonhuman perspectives expose war’s perceptual violence while demonstrating art’s power to preserve memory and resist future violence.

Towards hope – the transformative power of affects in academia: On alternative ways of perceiving and narrating bipartisan politics in Taiwan

Written by Hsiao-Man Cavalli and Lily Y.H. Lin. This article explores how emotions shape the study of Taiwan’s party politics, examining how researchers’ embodied experiences can deepen understanding of political differences. Through reflections on collaborative research, it highlights how acknowledging emotions fosters more nuanced, inclusive, and relational approaches to conducting and interpreting Taiwan Studies.

Feeling Taiwan: Emotions, Knowledge, and the Politics of Everyday Life 

Written by Po-Han Lee, Alvaro Martinez-Lacabe, and Yu-chin Tseng.​​ This special issue, featuring the co-editors and authors of the recently published edited volume, Feeling Taiwan, explores how emotions shape Taiwan’s politics, history, and everyday life. Drawing on six case studies, it examines how feelings are not separate from knowledge but fundamental to understanding identity, social change, and lived experience, while inviting broader audiences to engage with Taiwan through emotion.

Twenty years of Taiwan in Avignon: soft power on someone else’s terms

Written by Romain Blachier. This article explores Taiwan’s twenty-year presence at the Festival Off d’Avignon, arguing that international cultural exchange is shaped by language, institutional practices, and artistic selection. It highlights how these factors influence what Taiwanese artists can communicate abroad and emphasises the value of sustained cross-cultural collaboration.

1 2 3 197