Written by Chee-Hann Wu. This article reflects a personal memory and classroom discussion; she explores the ethical responsibilities of artists when representing traumatic historical events. Emphasising consent, historical accuracy, and self-awareness, the piece argues that storytellers and audiences alike must engage critically with how collective trauma is portrayed and remembered in art and media.
Singing for the Mountain Lands: A Pivotal Indigenous Music Concert in Taiwan
Written by Eric Scheihagen. The author illustrates the 1984 Singing for the Mountain Lands concert in Taipei, organised shortly after the Haishan Coal Mine Disaster, which killed mostly Amis miners. It details how Indigenous musicians and activists, led by Hu Defu, used the concert to raise funds and publicly address discrimination, harmful stereotypes, and political issues. The event became an important milestone in Taiwan’s growing Indigenous rights movement and helped catalyse later organising efforts, including the formation of the Taiwan Association for Promoting Indigenous Rights.
