Written by Chee-Hann Wu. This article reflects a personal memory and classroom discussion; she explores the ethical responsibilities of artists when representing traumatic historical events. Emphasising consent, historical accuracy, and self-awareness, the piece argues that storytellers and audiences alike must engage critically with how collective trauma is portrayed and remembered in art and media.
Making Art, Living Art – Tehching Hsieh’s Life Works
Written by Chee-Hann Wu. This article reviews Taiwanese performance artist Tehching Hsieh’s 2025 Dia Beacon retrospective, tracing his durational performances that treat the body as a clock, from cages to time-clocking, and reflecting on the exhibition’s embodied, minimalist presentation that collapses art and life, revealing time as both medium and co-performer.
