Orchids Across Realms: Transnational Museum Collaboration and Aboriginal Cultural Heritage in Taiwan

Written by Yian Chen. This article describes the 2025 exhibition Formosa Orchids Blossom, a collaborative project between Taipei’s National Museum of History and the University of Tokyo. It explores how the orchid transcends its role as a simple flower to serve as a complex cultural lens in Taiwan. By weaving together Japanese botanical science, traditional Chinese literati art, and the sacred indigenous cosmology of the Tsou people, the interdisciplinary exhibition deconstructs rigid national narratives, modelling a decolonised, transnational approach to modern museum practice.

Beyond Volume: Designing Slower Tourism in Taiwan

Written by Gita T. As Taiwan’s tourism sector continues to recover, questions about how the island should grow as a destination are beginning to resurface. This article advocates a slower model of heritage preservation, which allows a single site or landscape to open outward through observation, conversation, and carefully timed context. Taiwan does not start from zero as much preservation work is already underway.

Tracks of Influence: How Taiwan’s Railway Heritage Fuels Soft Power

Written by Tang Meng Kit. Taiwan’s railway heritage, originating from its Japanese colonial past, has transformed into a vibrant symbol of soft power. Through thoughtfully curated museums, cultural events, and international collaborations, particularly with Japan, Taiwan weaves history and innovation into a compelling narrative. This approach not only nurtures cultural exchange and tourism but also reinforces Taiwan’s resilience and evolving national identity on the global stage.

Displaying Indigenous People’s “Heirlooms” in Museums? Lessons from the Heirloom Exhibition of Pingtung Indigenous Peoples Museum

Written by Drangadrang Kaljuvucing. “The Family Heirlooms of Slop-Dwelling Peoples” exhibition was the fruit of a competition to discover Indigenous heirlooms that still exist in Indigenous communities. It was the Pingtung Indigenous Peoples Museum (PIM) partnering with four other Indigenous museums in Pingtung County, including Wutai Pavilion, Sandimen Pavilion, Laiyi Pavilion, and Shizi Pavilion, to conduct exhibition collection, field surveys, and promotion as part of a project with the Ministry of Culture in Taiwan. The thirteen heirlooms for the exhibition, which included clothing, accessories, paintings, weaves, wood carvings, clay pots, and other living implements, originated from seven Indigenous towns in Pingtung County, except for Chunri Township. While the exhibited pieces were grouped into three categories: “Living Etiquette,” “Decorating Life,” and “Cultural Heritage,” the exhibition highlighted the diversity and uniqueness of the heirlooms revealed by their owners through interview processes.