Energy Transition in-the-Making: How Offshore Wind Energy Interacts with Local Society in Taiwan

Written by Tsaiying Lu. “Go Nuclear to go green.” Under this catchphrase, during Taiwan’s 2018 referendum, pro-nuclear activists have successfully framed green energy as “unstable” and “unmatured” electricity-generating technology. They proposed to abolish Section 1 of Article 95 of the Electricity Act, which states terminating all nuclear power plants by 2025, was passed with a 40.27% approval. The result is a significant setback not only to President Tsai Ing-Wen’s (2016-2024) energy policy, “Nuclear-Free Homeland by 2025,” but also to offshore wind energy’s (OWE) development.

On the Many Reasons People Study Endangered Languages

Written by P. Kerim Friedman. We often assume that all language learning serves the same purpose: communicating with native speakers of the target language. The truth is that this is not always the case. There are many other reasons people might decide to learn a language: It might be a requirement for school, work, or citizenship. A philosopher might want to read German, and a linguist might only desire to learn enough Japanese to analyse the language’s grammatical or phonetic structure. Many people worldwide learn Hebrew, Latin, or Arabic as part of their religious training and only use those languages in that limited context.

A Taiwanese Soft Power?

Written by Nissim Otmazgin. Now that Taiwan has largely shed its Cold War KMT image and has gone through a democratisation process, it can project itself as a peaceful, prosperous, and above all, democratic country that might be a good ally for pro-democracy forces across the region? Given its regional setting in Northeast Asia, how does Taiwan tap into surrounding soft power competition and promote an international agenda? 

Transition and Transformation: The Naming Dilemma in Today’s Taiwan Cinema

Written by Yiling Pan. What is the Taiwanese identity in today’s Taiwan Cinema? In 2008, Taiwan’s Cinema began to get back on its feet after an extended lull, with several new directors successively releasing critically acclaimed first works, such as Chung Mong-hong’s Parking, Tom Lin Shu-yu’s Winds of September and Gilles Yang’s Orz Boyz!. However, it took Wei Te-sheng’s debut, Cape No. 7, to become a box-office hit and arouse widespread interest in Taiwanese film. .

The Global Story of Traditional Chinese Medicine in Italy, China and Taiwan

Written by Daniele Mario Buonomo. The diffusion and practice of Traditional Chinese medicine (TCM) is an important issue both in the Chinese and Western worlds. In European and Western countries, TCM, and specifically acupuncture, is increasingly popular. In 1979, for the first time, acupuncture and moxibustion received the attention of the World Health Organization. TCM’s importance has even been stressed in 2010 by UNESCO, who inscribed acupuncture and moxibustion on the Representative List of the Intangible Cultural Heritage of Humanity.

A Response to Trauma through Puppetry and Performative Reenactment

Written by Chee-Hann Wu. Puppets are mysterious creatures with lives and narratives different from that of humans. With its poetic and metaphorical nature, puppetry can unfold untold stories, censored or silenced. Flip Flops Theatre’s Lala: The Singing Bear (2019) and I Promised I Wouldn’t Cry (2019) are examples of puppets’ potentiality to access and tell these stories. Both pieces, designed for adults and children, adopt puppetry as a medium to address trauma under the White Terror. 

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