Tag: Music

Harmonies Against the Silence: The GongSheng Music Commemoration’s Quest for Justice

Written by Liao Pin-yen. The author, representing the Taiwan Youth Association for Transitional Justice and Kiong-Seng, illustrates how the GongSheng Music Commemoration, a youth-led initiative in Taiwan, reimagines remembrance of the 228 Incident and the White Terror. Through music, exhibitions, storytelling, and NGO participation, the festival bridges generational distance from authoritarian history, advocates for transitional justice, and demonstrates how cultural activism can sustain public memory and civic engagement in contemporary Taiwan.

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Listening for the Songs of Home: Tracing the Unheard Vietnamese Soundscape in Taiwan

Written by Kuo Ta-Hsin. This piece introduces the Vietnamese presence in Taiwan, through different sonic performances, to link Vietnamese students and/or migrants closer to their home. It is just for instance, In the karaoke rooms and Vietnamese eateries of Taichung, memory meets reality. Voices turn into acts of belonging, and to sing is to remain Vietnamese, even far from home.

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Singing for the Mountain Lands: A Pivotal Indigenous Music Concert in Taiwan

Written by Eric Scheihagen. The author illustrates the 1984 Singing for the Mountain Lands concert in Taipei, organised shortly after the Haishan Coal Mine Disaster, which killed mostly Amis miners. It details how Indigenous musicians and activists, led by Hu Defu, used the concert to raise funds and publicly address discrimination, harmful stereotypes, and political issues. The event became an important milestone in Taiwan’s growing Indigenous rights movement and helped catalyse later organising efforts, including the formation of the Taiwan Association for Promoting Indigenous Rights.

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Indigenous popular music and language revitalisation in Taiwan 

Written by Karen Huang. In 2020, Paiwan singer Abao (阿爆) became an overnight sensation at the 31st Golden Melody Awards (GMA) when her Paiwan album ‘Kinakaian MOTHER TONGUE’ brought home multiple major awards, including the ‘Album of the Year’ and ‘Song of the Year’. The awards surprised many, as Mandarin popular music usually dominates these two cross-language categories. It was the first time an Indigenous-language singer had won both categories simultaneously.

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