Written by Alexis Huang. This article examines Taiwan Semiconductor Manufacturing Company (TSMC)’s water–energy nexus, tracing its ecological costs, sustainability efforts, and infrastructural challenges. Despite advances in wastewater recycling and renewable integration, TSMC’s growth remains constrained by environmental limits, showing that long-term leadership depends on systemic reform, not technological fixes.
Written by Mori Lin. This article explores Taiwan’s journey toward a nuclear-free homeland. It examines the challenges and opportunities in its energy transition, the impact of legal reforms, and the ongoing efforts to enhance energy security and sustainability.
Written by Charles Lee. This article raises fundamental questions about theatre sustainability. It focuses on theatre venues and infrastructure in Taiwan by critically examining productions that attempt to respond to the concerns through distinct approaches. The author also investigates the unique dynamics Taiwanese The author also explores the unique dynamics that Taiwanese audiences have with the “aesthetics of Anthropocene theatre”.
Written by Anthony Ho-fai Li. Energy policy remains a highly controversial policy arena in Taiwan after democratisation, given its importance for Taiwan’s security, environmental sustainability and economic development. Under the presidency of Tsai Ing-wen, the agenda of “Nuclear-free Homeland 2025” (2025非核家園) proposed by the Democratic Progressive Party (DPP) in 2016 has been subject to political challenges, which involved the debates about the use of nuclear energy beyond 2025 and the reduced capacity of coal-fired electricity plants for air pollution mitigation. The policy strategy to replace nuclear energy with rapid solar energy development has also faced enormous social challenges as its large-scale installation conflicts with the existing land uses.
The essence of cultural policy lies in nurturing and stimulating social creativity, which involves both the preservation of classics and the kindling of future possibilities. The durability of policy development hinges on the transmission of memory and skills. Rather than being a political display, citizens occupy a central role in artistic performance, whether as creators or audience members. Does the support for creators aim to ensure the vitality and competitiveness of society, to enhance cultural production, or does its impact merely extend to safeguarding welfare measures?
Since the Ministry of Culture introduced the “Regeneration of Historic Sites” policy in 2017 to harmonise cultural and spatial governance, counties and cities have been grappling with a range of challenges involving restoration, repurposing, operational management, and interdepartmental coordination. While these issues are not new, the substantial investment in the “Regeneration of Historic Sites” policy has shed light on the ongoing struggles in cultural asset management. Today, cultural heritage is no longer solely a cultural concept; it has evolved into a medium and a realm for reflecting and reconstructing urban and rural environments. Whether we refer to it as “cultural heritage” or “cultural inheritance,” the emphasis remains on preserving cultural value. Consequently, alongside the growth of developmentalism, the spirit and techniques of preservation, maintenance, and reuse have become pivotal benchmarks for reshaping urban and rural environments.
