Written by Perl Li. In light of the recent pressure China is exerting on Taiwan through tourism, I hope the Tourism Bureau will properly utilise its resources to improve its campaigns both to support the tourism economy as well as Taiwan’s international reputation.
Writen by Giulia Mengato. My research on Indigenous communities in Taiwan shows that the needs and wishes of Indigenous peoples are still considered secondary to those of government. I argue for a more nuanced approach wherein public institutions work alongside local people. Government restrictions should not suffocate community will and should not limit the agency of local people.
Written by Brian Hoie. Although the majority of media attention yesterday focused on demonstrations by over one thousand marriage equality advocates outside the Legislative Yuan, another demonstration involving over one thousand took place outside the Executive Yuan at the same time. This demonstration involved over one thousand members of the Taiwan Association for the Rights of Non-Aboriginal Residents in Mountain Indigenous Townshipsprotesting against the Council of Indigenous Peoples’ efforts to protect indigenous traditional territories.
Written by Maja Korbecka. There are yet more talented Southeast Asian Chinese diaspora filmmakers working in contemporary Taiwan cinema and bringing forth their own complex heritage, stories and new ideas to work with film art. They represent hope for revival and new directions in Taiwan cinema. Through their work they contribute to projecting the image of Taiwan as a multiethnic and multicultural state, the full potential of which is yet to be discovered.
Written by Zuzana Shejbalová. Teresa Teng, in Mandarin Deng Lijun 鄧麗君, was a Taiwanese singer and one of the ‘Five Great Asian Divas’ of the 1970s and 1980s, alongside Judy Ongg, Agnes Chan, Ou-Yang FeiFei and Yu Yar. She was born on 29 January 1953 and unfortunately died at only 42 on 8 May 1995, suffering an asthma attack while on vacation in Thailand. She remains one of the most successful singers of the Mandarin-speaking world.
Written by Antonia Finnane. Every so often a woman takes up arms to lead a spirited struggle against invaders and occupiers of her homeland. Such women usually wind up dead at an early age, but they capture the imagination. The Taiwanese revolutionary Hsieh Hsüeh-hung (1901-1970) is such a figure, although like most aspects of Taiwan’s history her significance is contested.
Written by Kuan-Wen Lin.
The Daxidaxi (大溪大禧) project aims to reshape an hundred year old local festival and revistalise a small town suffering from an exodus of rural population. Leading curator Tammy Liu (劉真蓉) and her team BIAS Architects & Associates describe the village rites as mixed textures of contemporary design and religious folklore giving the town of Daxi a new definition of a traditional festival.
Written by Chun-Ying Wei. The latest addition to Taiwan’s cultural intermediaries, the Taiwan Creative Content Agency （TCCA, 文化內容策進院）, marks another milestone in Taiwan’s cultural diplomacy. The incumbent Minister of Culture, Cheng Li-chun 鄭麗君, has proposed the idea of creating a ‘national team’ to promote Taiwan’s cultural and creative industries.
Written by Chieh Hsiang Wu. After years of discussions, Taiwan’s congress has finally this year passed the Basic Law of Culture, which aims to strengthen the equal cultural rights of every individual and motivate citizens to participate in cultural affairs and policy making.
Written by Gunter Schubert. Unlike many populist leaders, Han’s public speeches have not been xenophobic, nor has he polemicised against LGBTQ rights (though he has promised to undo recent legislation allowing same-sex marriage should he be elected president). Moreover, his support for the ‘1992 consensus’ sounds more opportunistic than driven by pan-Chinese nationalism and his commitment to cross-Strait economic exchange does not prove that he supports ‘unification’ or wants to cosy up to the Chinese Communist Party.
Written by Jess Marinaccio. Attention to cultural representation is critical to creating a more equitable Taiwan, especially given Taiwan’s settler-colony status. However, problems of cultural (mis)representation focus the Taiwan’s Youth Ambassadors project on the domestic sphere, suggesting that culture is an ineffective tool in Taiwan’s foreign affairs.
Written by Josie-Marie Perkuhn. Southeast Asia (SEA) is one of the foremost target regions of President Tsai Ing-wen’s New Southbound Policy (NSP). The NSP seeks to guarantee Taiwan’s trade prospects and stabilise the Republic of China’s status through economic and people-to-people integration.