Written by Chinghui Liao. Hunting traditions are common across many indigenous communities in Taiwan, and maintaining food security has been an important cultural practice for thousands of years. Recently, however, certain endangered animal species have faced greater risk due to commercial hunting. These cases often involve indigenous communities, and this has made the issue difficult to resolve. In order to protect a functioning and biodiverse ecosystem, the “wildlife conservation law” regulates hunting behaviour and limits legal practise to only specific indigenous ceremonies.
Written by Ji-Ping Lin. Although ethnic integration had played a crucial role in promoting ethnic harmony, ethnic relations in Taiwan was typified by hates” outweighing “loves.” Nevertheless, such a situation changes in the late 1980s and the 1990s. Indeed, Taiwan’s political, socioeconomic, and cultural systems began experiencing several fundamental transitions; a transition from authoritarian to democratic polity, from a planned economy to globalised one, and from close to open and multi-culturalism society.
Written by Chieh-chi Hsieh. When the impact of COVID-19 was at its height in Asia this April, the director-general of the World Health Organisation (WHO), Dr Tedros Adhanom Ghebreyesus, publicly accused Taiwan of continuously attacking him with racist slurs for months. Although these accusations have been proven to be false, with the ongoing Black Live Matters campaign taking place, it does give a good opportunity to reflect on whether racism exists in Taiwan. More importantly, how this contributes to the formation of Taiwan’s identity in the contemporary epoch.
Written by Brian Hioe. Over the past four years, it has become a refrain of the Tsai administration to tout Taiwan’s increasing diversity. Namely, given increased immigration to Taiwan from Southeast Asia, one in ten children in Taiwan has a foreign parent. This is a fact that Tsai and members of her administration have taken to frequently citing, often during occasions in which Taiwan is visible on the international stage.
Written by Tzu-Ming Liu. Due to Taiwan’s geographical location and geological properties, the country is particularly at risk of the impact of climate change. Some apparent phenomena of climate change are that the frequencies of extreme precipitation events. Furthermore, extreme typhoon intensity is increasing. These phenomena have caused giant landslides, extensive landscape changes, and severe casualties across Taiwan. Many of the giant landslides occurred on the lands inhabited by indigenous peoples, and thus they suffer from the most adverse impacts of climate change. Indigenous peoples are, but not the only, climate victims.
Written by Daniel Davies. On June 3rd, 2020 Taiwan Sugar Corporation CEO, Chen Zao-yi, travelled south to Pingtung County for the most recent talks surrounding a proposed 230-hectare solar farm project at Xinchi Farm in Wanluan Township. The green-energy project, which is to be built alongside the No.185 County Road, has been at the centre of sustained protests by local residents due to the planned felling of Taiwan’s largest planted forest. The site of the development is within the 10,815-hectare forest planted in 2002 by the Taiwan Sugar Corporation, using 5.2 billions of dollars of state subsidies, after the contraction of the sugar industry caused by Taiwan joining the WTO.
Written by Ming-sho Ho. Upon winning the re-election in January 2020, Tsai Ing-wen’s Democratic Progressive Party government is set to realise the goal of abolishing nuclear energy by 2025. At the same time, they wish to raise the proportion of green energy in the electricity mix to twenty per cent. While the dream of “nuclear-free homeland” has been championed by Taiwan’s environmentalists for more than three decades, the top-down push for renewable energy has unexpectedly met some opposition from the same camp.
Written by Kuing, GuoTing Lin. Music is in full blossom in Taiwan, as evidenced by the vibrant contemporary Taiwanese music being produced by its indigenous musicians, which has spurred a rich cultural dialogue surrounding their production. Thus, in 2019 a diverse indigenous subjectivity has begun to enter the Taiwanese pop music market through new albums. Hence, it is worth exploring how this phenomenon differed from previous eras when albums were dominated by indigenous languages, and what this new phenomenon offers regarding a reflection of indigenous cultural consciousness.
Written by Julian Chih-Wei yang. Chen Kuo-Cheng (陳國城) – better known by his nom de plume Wuhe (舞鶴, literally ‘Dancing Crane’) – is a Taiwanese novelist renowned for his experimental, modernist style. His magnus opus, ‘The Life That Remains’ (餘生/Yusheng – officially translated as the ‘Remains of Life’), comprises only one single paragraph that is over two hundred pages long.
Written by Daniel Davis. In next year’s legislative elections both the KMT and DPP are hoping to secure a majority, but after the shock results of 2018 and the growing number of small parties, every seat seems to be contested. The seats held by indigenous legislators, traditionally seen as iron votes for the KMT and pan-blue parties, have also become an open contest and could play a pivotal role in the outcome of the elections.
Written by Chia Sui, Crystal, Sun. What can indigenous media do in Taiwan? At its best it can strengthen indigenous identities by showcasing tribal heritage, helping to maintain local languages and providing a public sphere for debate about indigenous issues. Indigenous media can also convey significant meaning as an indicator of cultural and societal change.
Critical Women in Seediq Bale: A Response to Professor Chin-ju Lin Concerning Seediq Cultural Politic. Written by Darryl Cameron Sterk. In Seediq Bale men cut these ties asunder; and though I would not expect to find the same division of labour today, my observation is that it is still tends to be women who are trying to keep things together. I relied on Temi Nawi, a former Catholic nun who devoted the last three decades of her life to Seediq education and research, for the material on weaving.