Written by Yi-Yu Lai. Apart from the language issue, Ajaon told me that stereotypes of Indigenous people back home are usually brought to the diasporic community. For example, when she moved to Hawaii several years ago, she was often invited to Taiwanese events because they wanted her to perform.
Written by Ti-han Chang. At the crossroad of the 21st century, we see the rise of a new transition in Taiwanese literature. In the era of anthropogenic climate change, environmental literature or ecocriticism, which was first established in the Anglophone literature begins to sow its seeds in Taiwan in the late 80s and early 90s. Alongside this new transition, aboriginal literature in Taiwan also underwent a phase of cultural renaissance in the same period. Work published by Syaman Rapongan 夏曼藍波安, Walis Nokan瓦歷斯諾幹, and Topas Tamapima 拓拔斯塔瑪匹瑪 (田雅各) enrich and diversify the literary scene in Taiwan. The work of Rapongan, which promotes sea-writing and oceanic cultural imaginary, deserves, especially our attention.
Written by Julien Laporte. Following the closing of Taiwan international borders in the time of the Covid-19 pandemic, the Tao people have seen an unexpectedly high number of visitors on their territory. Since 2020, they have been experiencing the consequences of that overtourism that calls for respectful and sustainable tourism.
Written by GuoTing Lin (Kuing). This work uses digital ethnography to consider how Taiwanese indigenous musicians utilise Facebook as their primary official platform for audience communication. I go about this by analysing cover images, profiles, photos, and feeds on Facebook, which is used to depict the details of the texts, photos, and videos. It thus shows the self-presentation and the communication of Taiwanese indigenous musicians concerning cultural and social issues. Moreover, I argue that indigenous musicians perform their identity through online self-presentation in everyday life.
Written by DJ Hatfield. Over the past ten years, images of Indigenous people have increased both in Taiwan and international representation. Indigenous people appear in depictions of Taiwan’s relationships to Southeast Asia and the Pacific, in promotions of Taiwan as a tourist destination, in discourses of sustainability, and images of environmental protest. In relationship to these representations of Indigenous people, Taiwanese Indigenous contemporary artists maintain an ambivalent footing, aware that current indigenous visibility rearticulates Taipei (here referring broadly to settler power) rather than displacing it.
Written By Yi-Yu Lai. ince the early 1980s, the PCT (The Presbyterian Church of Taiwan) intentionally organized groups visiting several countries, including Thailand, Malaysia, Singapore, and the Philippines, because they attempted to strengthen and magnify their overseas missionary work in Southeast Asia. In the Philippines, they not only collaborated with a Taiwanese pastor Jun-Nan Li (李俊男), who started to serve in the City of Cagayan de Oro since 1978, but also made contacts with the UCCP (United Church of Christ in the Philippines). At first, those Taiwanese people were all set to introduce their preaching works to the Filipinos during their first visit of 1983. However, they serendipitously found that the Philippine Indigenous resistance experiences might become a possible alternative to address their church land issue in Taiwan.
Written by Yi-Yu Lai. n the late summer of 1986, a small group of Indigenous people from the PCT (The Presbyterian Church of Taiwan) led a delegation through the Philippines’ Cordillera region. As a delegation that attempted to study minority rights, those people not merely approached Negrito, Bontoc, and Ifugao communities to learn local issues, but also visited several grassroots organizations such as the CPA (Cordillera Peoples Alliance). Although it was not the first time the PCT arranged the Philippines’ tour, their visit’s timing was noteworthy. While martial law was still imposed in Taiwan, people in the Philippines just overthrew the Marcos dictatorship through the People Power Revolution at the beginning of that year
Written by Chinghui Liao. Hunting traditions are common across many indigenous communities in Taiwan, and maintaining food security has been an important cultural practice for thousands of years. Recently, however, certain endangered animal species have faced greater risk due to commercial hunting. These cases often involve indigenous communities, and this has made the issue difficult to resolve. In order to protect a functioning and biodiverse ecosystem, the “wildlife conservation law” regulates hunting behaviour and limits legal practise to only specific indigenous ceremonies.
Written by Ji-Ping Lin. Although ethnic integration had played a crucial role in promoting ethnic harmony, ethnic relations in Taiwan was typified by hates” outweighing “loves.” Nevertheless, such a situation changes in the late 1980s and the 1990s. Indeed, Taiwan’s political, socioeconomic, and cultural systems began experiencing several fundamental transitions; a transition from authoritarian to democratic polity, from a planned economy to globalised one, and from close to open and multi-culturalism society.
Written by Chieh-chi Hsieh. When the impact of COVID-19 was at its height in Asia this April, the director-general of the World Health Organisation (WHO), Dr Tedros Adhanom Ghebreyesus, publicly accused Taiwan of continuously attacking him with racist slurs for months. Although these accusations have been proven to be false, with the ongoing Black Live Matters campaign taking place, it does give a good opportunity to reflect on whether racism exists in Taiwan. More importantly, how this contributes to the formation of Taiwan’s identity in the contemporary epoch.
Written by Brian Hioe. Over the past four years, it has become a refrain of the Tsai administration to tout Taiwan’s increasing diversity. Namely, given increased immigration to Taiwan from Southeast Asia, one in ten children in Taiwan has a foreign parent. This is a fact that Tsai and members of her administration have taken to frequently citing, often during occasions in which Taiwan is visible on the international stage.
Written by Tzu-Ming Liu. Due to Taiwan’s geographical location and geological properties, the country is particularly at risk of the impact of climate change. Some apparent phenomena of climate change are that the frequencies of extreme precipitation events. Furthermore, extreme typhoon intensity is increasing. These phenomena have caused giant landslides, extensive landscape changes, and severe casualties across Taiwan. Many of the giant landslides occurred on the lands inhabited by indigenous peoples, and thus they suffer from the most adverse impacts of climate change. Indigenous peoples are, but not the only, climate victims.