Written by Chee-Hann Wu. This article shares the rise of Taiwanese BL comics, which increasingly portray ordinary, everyday same-sex relationships without much sexuality-related conflict. These works exemplify comforting, relatable stories that reflect a society where love is simply lived.
Written by I-Yun Lee. This article is an overview that traces Taiwanese comics from Japanese colonial to post-war Taiwan, the rise of rental comics, and the severe censorship that stifled creators from the 1960s to the 1980s. Shaped by colonial importation, market demand, and state control, Taiwan’s comic history emerges as a story of negotiation and constraint.
Written by Yun-Pu Tu. This article reflects on the “Otherwise Literature: Against the Mainstream” panel, a collaboration between NATSA and the National Museum of Taiwan Literature, which explored how storytelling bridges cultures and challenges dominant narratives. Featuring writers and translators including Shawna Yang Ryan, Lya Shaffer Osborn, and Yung-ta Chien, the event highlighted the power of words and storytelling to connect communities and imagine Taiwan otherwise.
Written by Naomi Sím. The article introduces “rosettation,” a method of translating between minoritised languages like Tâigí and Gaelic via dominant ones. The Tâigael project explores linguistic solidarity, reader responses, and political tensions. Rosettation emerges as both a pragmatic strategy and a literary experiment, which enables new forms of intercultural dialogue despite inherent compromises.
Written by Lisa LacDonald. This article reflects on orchids in Scotland and Taiwan as metaphors for translation. While Scottish orchids evoke resilience, Taiwanese orchids embody richness and locality. The author highlights the difficulty of conveying cultural nuance across languages, framing translation as both interpretation and resistance, balancing fidelity, accessibility, and the preservation of linguistic diversity.
Written by Elissa Hunter-Dorans. This article reflects on how maternal and grandmaternal figures embody the preservation of Taiwanese and Gaelic. Through Tâigael, the author explores oral traditions, familial intimacy, and the “mother tongue” as both metaphor and surrogate caregiver, showing how literature sustains endangered languages and fosters cross-cultural kinship.
