Written by Hannah Stevens and Will Buckingham. The article introduces Tâigael: Stories from Taiwanese & Gaelic, a translation project linking two minoritised languages through English and Mandarin as bridges. Writers reflect on linguistic solidarity, maternal legacies in “mother tongues,” risks of reinforcing hierarchies, and ecological fidelity in translation. Together, their essays highlight translation’s generative, resistant, and collaborative potential.
Written by Linshan Jiang. This memorial essay reflects on the author’s time with Professor Tu Kuo-ch’ing, a deeply influential poet, scholar and the founder of the Center for Taiwan Studies at the University of California, Santa Barbara, who passed away earlier this year. His passing left a profound and unexpected void. This essay shares how Professor Tu introduced the author to Taiwanese literature and supported her academic journey.
Written by Mu-Hsi Kao Lee. The article explores the experience of reading Taiwan Travelogue as a translated historical yuri novel. Kao Lee reflects on how the narrative, despite its clear genre and straightforward plot, evokes a sense of both satisfaction and longing in the reader. The article highlights the story’s ability to interweave historical and cultural details with the protagonists’ emotional connection, examining themes of desire, identity, and the complexities of relationships within a specific historical context.
Written by Tun-Jung Kuo and Li-Ting Chang. This article reflects on a book talk discussing Taiwan Travelogue, highlighting how the novel uses food to narrate Taiwan’s colonial history, cultural hybridity and female perspectives. Through detailed depictions of cuisine and memory, it challenges historical narratives and deepens understanding of Taiwan’s evolving identity amid Japanese colonial influence and localisation.
Written by Chee-Hann Wu. This article discusses Taiwan Travelogue and its US book tour earlier this year. It highlights the controversial marketing strategy, the extensive use of footnotes to enrich the historical context, and the categorisation of the novel as queer literature due to the evident, though subtle, romantic undertones between the two female protagonists.
Written by Patricia Huang. This article analyses the budget cuts to Taiwan’s Ministry of Culture, including the freezing of funds for museums and the possible impacts of under-budgeting. It explores the debate around subsidising culture and the concept of “Cultural Exception”. The author also examines alternative funding sources for culture, taking examples from other countries, such as lotteries and TV licensing fees.
