Written by Aleksandrs Gross. This article analyses recent Taiwan-Japan solidarity amid tensions between Japan and China. It captures how widespread and deep mutual support is at the grassroots, people-to-people level in both countries. The current tense political climate has only deepened the friendship between the two peoples. This benefits Taiwan and puts China in a tricky position.
Written by Carissa Cheng. Despite strong economic growth, Taiwan’s youth face stagnant wages, soaring housing costs, and limited opportunities, prompting many to abandon the DPP for the TPP in 2024. The article argues economic insecurity, party factionalism, and perceptions of elitism drove this shift, and urges the DPP to refocus on youth-centred economic policy, messaging, and reform.
Written by Leona Chen. This article reflects on The Boy from Clearwater, a translated graphic memoir that intertwines Tsai Kun-lin’s life with the author’s own diasporic longing. Through vivid illustrations and intergenerational memory, the graphic novel becomes a conduit for Taiwanese American readers seeking connection, historical understanding, and ancestral intimacy across language, distance, and time.
Written by Chee-Hann Wu. This article shares the rise of Taiwanese BL comics, which increasingly portray ordinary, everyday same-sex relationships without much sexuality-related conflict. These works exemplify comforting, relatable stories that reflect a society where love is simply lived.
Written by I-Yun Lee. This article is an overview that traces Taiwanese comics from Japanese colonial to post-war Taiwan, the rise of rental comics, and the severe censorship that stifled creators from the 1960s to the 1980s. Shaped by colonial importation, market demand, and state control, Taiwan’s comic history emerges as a story of negotiation and constraint.
Written by Isis M. Lee. A landmark exhibition in Prague displays 100 masterpieces from Taiwan’s National Palace Museum — yet Taiwan itself disappears from the story. This erasure reveals how authoritarian pressure increasingly shapes cultural spaces far beyond China’s borders.
Written by Aleksandrs Gross. This article explores a unique phenomenon that occurred during the recalls – small businesses explicitly voiced their stance on the recalls. This mirrors similar patterns of Hong Kong during the pro-democracy movement in 2019. The author interviewed three pro-recall businesses to understand their stance and how they encourage constructive discussion without alienating opponents.
Written by Gita T. This article examines how Taiwan could better identify and nurture the quieter forms of cognitive talent that often go unnoticed — helping students find stronger alignment between aptitude and work, reducing early burnout, and building an education framework that allows curiosity to breathe. In that sense, Taiwan’s next great export could be curiosity itself.
Written by Tasaw Hsin-Chun Lu. After Myanmar’s 2021 coup, Taiwan’s Sino-Myanmar Gen Z created a nightly revolutionary soundscape through Facebook Live. By co-listening to the clang of pots and pans, revived protest anthems, and newly sharpened hip-hop, they transformed distant violence into shared urgency. These circulating sounds stitched together a fragile yet insistent counterpublic, allowing young listeners in Taipei to grieve, rage, and imagine with those in Myanmar. Through this quiet, collective listening, they claimed a sense of belonging that crossed borders and defied the junta’s enforced silence.
Written by Nancy Guy. Garbage, or rather, thoughts of garbage, are part of daily life in Taiwan. This is illustrated in the practices of individuals and households as they manage the material byproducts of everyday living. It is also reflected in all manner of creative practice. This post introduces the music of garbage trucks, the ‘Maiden’s Prayer’, not only on the music, but to social context with the music and Taiwan’s ‘throwing garbage’ culture.
Written by Hsin-Wen Hsu. Since the 2000s, Taiwan’s Hakka popular music has moved beyond themes of rural nostalgia and ethnic affirmation to engage the complexities of post-global conditions. Musicians respond to ecological precarity, translocal migration, shifting borders, and digitally mediated relationships while experimenting with new linguistic and collaborative forms. Hsu traces how Hakka communities navigate socioeconomic changes and evolving identities. In doing so, Hakka popular music becomes a crucial way of hearing Taiwan’s contemporary entanglements and imagining new modes of communal life.
Written by Kuo Ta-Hsin. This piece introduces the Vietnamese presence in Taiwan, through different sonic performances, to link Vietnamese students and/or migrants closer to their home. It is just for instance, In the karaoke rooms and Vietnamese eateries of Taichung, memory meets reality. Voices turn into acts of belonging, and to sing is to remain Vietnamese, even far from home.
Taiwan Insight 