Culture and society – Page 21

Three Musketeers against Mis/disinformation: Assessing Citizen-led Fact-checking Practices in Taiwan

31 March 2023 Chee-Hann Wu

Written by Chiaoning Su and Wei-Ping Li. From sophisticated disinformation campaigns to patriotic trolling and clickbait, the flood of mis/disinformation has become a global phenomenon. Studies have shown that Taiwan’s young democracy ranks as one of the countries most exposed to misleading viewpoints or false information from foreign forces, especially China. These campaigns often seek to demonise high-profile Taiwanese politicians and divide Taiwanese society. They also aim to steer Taiwan away from anti-China policies or international alliances, notably with the United States.

Who are the Allies of the Chinese Communist Party (CCP)? Neologisms, Netizens, and Nationalisms

29 March 2023 Chee-Hann Wu

Written by Hsin-I Sydney Yueh. Recently, Taiwan’s Ministry of National Defense rejected a Japanese news report suggesting a widespread tendency among retired Taiwanese military officials to “sell out” their country. Wu Sz-Huai, a retired lieutenant general and incumbent opposition KMT party legislator, was among those who denounced this allegation.

“Are we Chinese spies (共諜)?” Wu angrily asked this rhetorical question during a session of the National Defense Committee at Taiwan’s Legislative Yuan on March 2, 2023. While Wu denied being a Chinese spy, Taiwanese netizens teased him by sharing a photo of Wu and other retired Taiwanese military officials attending a CCP-hosted event, where they had sat attentively and listened respectfully to China’s leader Xi Jinping in 2016. Wu’s use of the term “Chinese spies” reminds us of another similar expression in Mandarin Chinese: “allies of the CCP” (中共同路人). This expression has recently gone viral in Taiwan’s online communities, used for self-mockery and as an attacking label.

“Governing by Memes”: COVID-19, Conspiracy, and Digital Democracy in Taiwan

27 March 2023 Chee-Hann Wu

Written by Wen Liu and Hsin-I Sydney Yueh. The COVID-19 pandemic has significantly rearranged our social relations and affective connections. Amid disinformation and virus-origin conspiracy theories circulating across the social landscape, governmental responses to the pandemic have included various public health measures, such as lockdowns and mask mandates, and political measures, such as escalating geopolitical conflicts between the United States and China. Around the world, fear has been one of the most prominent affective responses to the pandemic, as driven by disinformation practices, intensified geopolitics, and our raw psychic fear about the unknown.

Judicial Reform in Taiwan in the context of the Citizen Judges Act

22 March 2023 Adrian Chiu

Written by John Burn. In her inauguration speech in 2016, it was claimed that Tsai Ing-Wen received her most rapturous applause for her pledges to institute reform of the judiciary and criminal law proceedings. In a climate of widespread public mistrust in a perceived detachment of judges’ interpretations of the law and public morality, Tsai embarked upon her stage of the long and slow relay of reform. So far, her administration’s most significant stride in this direction has been the Citizen Judges Act, which came into effect on the 1st of January this year. Yet this measure is only the latest legislative development in the long, complicated course of Taiwanese judicial reform.

Taiwanese Theatre’s Struggle: The 228 Incident and White Terror Era

21 March 2023 Adrian Chiu

Written by Yin-Chen Kang. This year marks the 76th anniversary of the February 28 Incident, also known as the 228 Incident. Occurring 76 years ago, this event was sparked at the end of February, leading to the KMT military’s brutal campaign in March against those they considered dissidents, resulting in the slaughter of numerous civilians. This marked the beginning of an extended period of White Terror. While the incident profoundly impacted Taiwanese society, many people may not be aware of the significant consequences of the 228 Incident and the ensuing White Terror on the development of modern Taiwanese theatre.

Transformation of Women’s Status in Taiwan, 1920-2020

17 March 2023 Adrian Chiu

Written by Doris T. Chang. Among all the gains made by Taiwanese women in the past century, achieving leadership roles in the political arena is perhaps Taiwanese women’s greatest achievement. During the Japanese colonial era, women had no right to vote. However, after lifting martial law in 1987, Taiwan emerged as a vibrant democracy. Due to political parties’ commitment to nominating more qualified women candidates for elections in the late 1990s and after that, the percentage of women elected to Taiwan’s Legislative Yuan reached 42 per cent in 2020 — the highest in Asia. This is equivalent to the percentage of women legislators in most Scandinavian countries. But Taiwanese women’s achievement in the political arena would not have been possible without making significant progress in their educational attainment throughout the twentieth century.

Hybrid Taiwanese Opera: The Vitality of “Opeila”

15 March 2023 Adrian Chiu

Written by Jasmine Yu-Hsing Chen. In Taiwan, outdoor Taiwanese opera performances next to temples have been essential to Taiwanese religious traditions for decades. Most troupes adhere to the etiquette of performing “classical plays for matinees and opeilas for evening performances.” Unlike performances in the afternoon, which are mostly classical repertoires based on books and legends, evening performances are always energetic. With the accompaniment of an electronic piano and jazz drums, the actors on stage sing pop songs and dress in shining sequin robes, fancy suits, or colourful Japanese costumes. This hybrid performance style has been called “opeila” (oo-phiat-a), which is phonetically adapted from the Japanese pronunciation of “opera” (o-pe-ra オペラ) in Taiwanese. This unique subgenre of Taiwanese opera has livened memories in numerous Taiwanese people and is one of the most concrete testimonies of vital Taiwanese culture.

Why Does Taiwan’s Development in the Past Century Matter?

13 March 2023 Adrian Chiu

Written by Peter C.Y. Chow. By the end of the 20th century, most former colonies had become independent though few qualify as modern states. Taiwan is an exceptional case in modern development history. Although still a Japanese colony until WWII, Taiwan became a modernised country with remarkable achievements in socio-political and economic developments by the end of the 20th century. Its unique development trajectory is worthy of in-depth analysis such that other developing countries can share its experience in the struggle for modernisation.

Innovating Tradition: The Interdisciplinary Practice of “Bodehi” Glove Puppetry Theatre in Taiwan

3 March 2023 Chee-Hann Wu

Written by Chih-Ching Chester Tsai. Bodehi, Budaixi, or literal translation cloth sack theatre (布袋戲), is a form of traditional puppetry theatre in Taiwan. It was brought to Taiwan by early immigrants from southeast provinces of China during the Qing Dynasty. It has since developed into a unique form of theatre infused with local style and would later grow into one of the unofficial symbols of Taiwanese culture.

Taiwanese Theatre as a Keyword: Publications in 2022

2 March 2023 Chee-Hann Wu

Written by Yuning Liu. “Taiwanese drama/theatre/performance” as a keyword is unfortunately not a prevalent term in Anglophonic academic circles. However, 2022 can indeed be considered a fruitful year in Taiwan’s play translation and theatre research. In this article, I review the research focusing on Taiwanese drama/theatre/performance published in 2022. As a theatre scholar, my goal is not only to raise awareness of Taiwanese theatre studies but, more importantly, to consider how to take Taiwanese theatre research beyond the framework of regional theatrical studies and find more possibilities for dialogue with global audiences and theatre studies scholars.

The Intercultural Resonance between Taiwan and Q: A Night at the Kabuki (2022)

1 March 2023 Chee-Hann Wu

Written by An-Ru Chu. In the second half of 2022, when Taiwan was gradually relieved from the waves of omicron subvariant-induced outbreak, the country experienced an unprecedentedly large quantity of theatrical productions and cultural events since many of them should have been presented earlier but rescheduled because of the pandemic. Meanwhile, a Japanese staged play, Q: A Night at the Kabuki, broke National Theatre (NT) box office record in Taipei. NT sold 12,000 tickets in merely twenty minutes for the first time in thirty-five years. When applauding the artistic achievement of the play per se, most posts also mentioned the following two aspects: first, the strong emotions evoked by seeing one of the leading actresses, Takako Matsu, in person, which echoes how the show had extensively grabbed the media’s attention since last May.

2022 Taiwan Theatre Report: Coronavirus, Chaos, Challenges, and Changes

28 February 2023 Chee-Hann Wu

Written by Yi-Ping Wu. How would people of the future think of the theatre of Taiwan in 2022? A year haunted by the Coronavirus pandemic? A year in which the international situation was overshadowed by the Russian-Ukranian war? What are some lessons we learned in the past year? Undeniably, 2022 was a rapidly changing and challenging year for the Taiwanese. As to the field of theatre, 2022, in my perspective, could be recognised as the year of “change” due to the following characteristics.

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