Written by Ming-yeh T. Rawnsley. This article explores how the Taiwanese political drama Wave Makers helped catalyse Taiwan’s 2023 #MeToo movement by fostering empathy, challenging victim-blaming, and providing language for collective action. Drawing on XinLing Li’s recent book, it examines television’s capacity to shape public discourse while acknowledging its limitations in producing lasting social change.
Written by Sheng-mei Ma. This article focuses on self-alienation and the pursuit of Eurocentric beauty standards. It examines how Chinese linguistic biases and the prevalence of cosmetic surgery among celebrities reflect a subconscious, self-inflicted whitewashing that parallels historical settler colonialism and racial hierarchies.
Written by Fang-Chang Kuo. The article examines how the CPBL transformed from a sport-centred league into an entertainment-driven spectacle, fuelled by celebrity cheerleaders like Lee Da-Hye. It argues that entertainment talent can rival superstar athletes in driving attendance, while highlighting how branding, social media, and novelty increasingly shape modern sports economics and fan culture.
Written by Leona Chen. This article reflects on The Boy from Clearwater, a translated graphic memoir that intertwines Tsai Kun-lin’s life with the author’s own diasporic longing. Through vivid illustrations and intergenerational memory, the graphic novel becomes a conduit for Taiwanese American readers seeking connection, historical understanding, and ancestral intimacy across language, distance, and time.
Written by Chee-Hann Wu. This article shares the rise of Taiwanese BL comics, which increasingly portray ordinary, everyday same-sex relationships without much sexuality-related conflict. These works exemplify comforting, relatable stories that reflect a society where love is simply lived.
Written by I-Yun Lee. This article is an overview that traces Taiwanese comics from Japanese colonial to post-war Taiwan, the rise of rental comics, and the severe censorship that stifled creators from the 1960s to the 1980s. Shaped by colonial importation, market demand, and state control, Taiwan’s comic history emerges as a story of negotiation and constraint.
