Written by Denis Li, translated by Corey Lee Bell. Lee Teng-hui, Taiwan’s first democratically elected president, played a key role in the country’s journey from authoritarianism to democracy. In 12 years as president, he made six amendments to the constitution, earning him an indelible place in the history of Taiwan. The News Lens has compiled 10 of Lee’s quotes from lectures and interviews, which reflect his perspective on Taiwanese politics and cross-strait relations, as well as the expectations he harbored for himself as a political figure.
Mapping the Development of Capitalism in Colonial War-time Taiwan Through New Digital tools
Written By Yueh-Cheng Tien. Establishing relations is a central feature in the research of humanities and social sciences. It also lies at the heart of most historical analysis—these relations concern how different individuals and institutions connect and influence one another. However, researchers often struggle to prove specific relationships due to the multitude of relations that exist concurrently, and the actual effect of these relationships can be hard to prove. This has led many historians to turn to digital and mathematical methods to model relations visually and statistically.
Sport as a Marker of National Identity in Taiwan
Written by Gerald R. Gems. Given the politics of state-building in Asia over the last half-century, and the continuing contentious debate over Taiwanese sovereignty, sport has played (and continues to play) a significant role in the creation and perpetuation of a national identity. Japan occupied Taiwan from 1895 to 1945 as compensation after its victory over China in the war of 1895. Baseball, an American sport, had taken hold in Japan by that time, and the Japanese introduced the game to Taiwan. In time, it became the most popular spectator sport in Taiwan.
IMAGINARY REALITY IN WUHE’S ‘THE LIFE THAT REMAINS’
Written by Julian Chih-Wei yang. Chen Kuo-Cheng (陳國城) – better known by his nom de plume Wuhe (舞鶴, literally ‘Dancing Crane’) – is a Taiwanese novelist renowned for his experimental, modernist style. His magnus opus, ‘The Life That Remains’ (餘生/Yusheng – officially translated as the ‘Remains of Life’), comprises only one single paragraph that is over two hundred pages long.