Written by Roi Silbeberg. This essay traces an encounter between Taiwan’s White Terror memory and the unfolding devastation in Gaza to argue that peacebuilding must confront asymmetries of power, not obscure them. Moving across intergroup dialogue, identity formation, and international responsibility, it insists that silence sustains violence, and that ethical clarity, political engagement, and global accountability are conditions for any meaningful future.
Written by Meng Kit Tang. This article explores the evolving debate over Taiwanese identity, contrasting two models: the rejectionist approach and the redefinition model. It examines the implications of each model for domestic cohesion, diplomacy, and national resilience, arguing that a redefinition approach provides Taiwan with a stronger foundation to navigate internal polarisation and external pressures.
Written by Aleksandrs Gross. This article examines Cheng Li-wun’s leadership through the eyes of the younger generation. Not only did her statements on identity and Taiwan’s future fail to resonate with younger people, but she also failed to address livelihood issues such as high housing prices, inflation and employment pressure, which are seen as the most critical issues for younger Taiwanese.
Written By Paula Perez. This article analyses the promises and positions of Cheng Li-wun. It argues that Cheng offers nothing new in terms of its identity claims and the 1992 Consensus and questions who is the audience Cheng is speaking to. However, she brings something other leadership candidates did not, personifying the redemption of a generation who she claims is misled by de-Sinicised education.
Written by Meng Kit Tang. This article reflects on Taiwan’s remarkable civic response to the 2025 Hualien floods, where thousands of volunteers, faith groups, and ordinary citizens mobilised overnight. The essay ultimately suggests that Taiwan’s story offers lessons not just for its own politics, but also for neighbours and rivals alike: that true strength and attraction emerge not from control, but from authenticity.
Written by Ana Paloma Martínez Gómez. This article explores how Indigenous identity is portrayed on screen and how film supports cultural revitalisation and self-representation through a decolonial and gendered lens. As a new Taiwanese national identity emerges, the gap between official recognition and ongoing cultural marginalisation reveals the complex space Indigenous communities occupy.
